"Tuesday (End Credits)" by Anna Meredith had its release date on July 16, 2024. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Tuesday (Original Soundtrack)". In this album, this song's track order is #15. The popularity of Tuesday (End Credits) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tuesday (End Credits) by Anna Meredith having a BPM of 175 with a half-time of 88 BPM and a double-time of 350 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cloud-Passade Nr. 3 | Lubomyr Melnyk | C Major | 2 | 8B | 83 BPM | ||
| Give Up the Ghost: Orchestral Variation | Minor Victories | D♭ Major | 5 | 3B | 170 BPM | ||
| Scrimshaw | Anna Meredith | F Minor | 5 | 4A | 173 BPM | ||
| Minimal | Yoraim | G Minor | 1 | 6A | 135 BPM | ||
| Son of Parasol | Lubomyr Melnyk | E♭ Minor | 0 | 2A | 111 BPM | ||
| Mickael J | Balaiz | A Minor | 5 | 8A | 180 BPM | ||
| Suddenly Temple | Emile Mosseri | D Major | 3 | 10B | 80 BPM | ||
| Cloud No. 26 (Piano Sonata No 26, Les Adieux, Andante) - Beethoven Recomposed | Shida Shahabi | C Major | 1 | 8B | 144 BPM | ||
| Drift | Mica Levi | D♭ Major | 5 | 3B | 83 BPM | ||
| Sad Story | Baris Kapiyoldas | A Minor | 5 | 8A | 180 BPM | ||
| The Big Ship - 2004 Remaster | Brian Eno | C Major | 3 | 8B | 118 BPM | ||
| Fear, Uncertainty, Doubt | Holly Herndon | E♭ Minor | 2 | 2A | 122 BPM | ||
| Bump | Anna Meredith | F Major | 1 | 7B | 73 BPM | ||
| The Dead Outnumber The Living | A Winged Victory for the Sullen, Adam Wiltzie, Dustin O'Halloran | B Minor | 3 | 10A | 69 BPM | ||
| Holding Horses | Colleen | A Minor | 3 | 8A | 148 BPM | ||
| Midnight Sun | Penguin Cafe | C Minor | 1 | 5A | 66 BPM | ||
| How To Be Confident (For Real) | Anna Meredith | G Minor | 4 | 6A | 141 BPM | ||
| Lichtspiel I: Opus | Public Service Broadcasting | C Major | 4 | 8B | 115 BPM | ||
| Lac des Arcs | Julia Kent | A Minor | 3 | 8A | 147 BPM | ||
| Section VI | Steve Reich, Erik Hall | A Major | 7 | 11B | 108 BPM | ||
| Solo? Repeat! | Anne Müller | A♭ Major | 2 | 4B | 95 BPM | ||
| Citrus | Clark | B♭ Minor | 1 | 3A | 91 BPM | ||
| Clear Atmosphere | Liora Vel | B♭ Minor | 0 | 3A | 84 BPM | ||
| Triptych in Mass | Jóhann Jóhannsson, Theatre Of Voices, Paul Hillier, American Contemporary Music Ensemble | E Minor | 2 | 9A | 83 BPM | ||
| Change Ringing | Robert Ames | F Major | 2 | 7B | 67 BPM |