String Quartet in A Major, Hob.III:36 (Op. 20 No. 6): 2. Adagio by Joseph Haydn, The Angeles String Quartet Song Details

"String Quartet in A Major, Hob.III:36 (Op. 20 No. 6): 2. Adagio" by Joseph Haydn, The Angeles String Quartet had its release date on January 1, 2000. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Franz Joseph Haydn, The Angeles String Quartet's "Haydn: Complete String Quartets" album is number 10 out of 280. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, String Quartet in A Major, Hob.III:36 (Op. 20 No. 6): 2. Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of String Quartet in A Major, Hob.III:36 (Op. 20 No. 6): 2. Adagio by Joseph Haydn, The Angeles String Quartet to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 6%
Loudness: -30.892 dB
Acousticness: 91%
Danceability: 14%
Energy: 3%
Instrumentalness: 11%
Liveness: 17%
Loudness: 49%
Speechiness: 5%
Valence: 6%

Recommendations

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Sinfonia Veneziana: I. Allegro assai	Antonio Salieri, Matthias Bamert, London Mozart Players	D Major	1	10B	100 BPM
Sinfonia in A Major, WolS I. A-3: I. Allegro assai	Johann Stamitz, Südwestdeutsches Kammerorchester Pforzheim, Timo Handschuh	F Major	1	7B	205 BPM
Concerto grosso No. 5 in D Major, Op. 6/5, HWV 323: V. Allegro	George Frideric Handel, Sir Neville Marriner, Trevor Connah, Thurston Dart, Sir Andrew Davis, Academy of St. Martin in the Fields	G Minor	1	6A	140 BPM
Symphony in A Major, Op. 1, No. 3 (Callen 3): I. Allegro	Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong	E Major	2	12B	153 BPM
Oboe Concerto in D Minor, BWV 1059R: III. Presto	Johann Sebastian Bach, Christian Hommel, Kolner Kammerorchester, Helmut Müller-Brühl	C Major	3	8B	115 BPM
Symphony in A Major, Op. 24 No. 2, P. I:7: III. Menuetto. Allegretto	Leopold Koželuch, Czech Philharmonic Chamber Orchestra, Marek Štilec	A Major	0	11B	143 BPM
Symphony in G Major, F. 31: III. Presto assai	Josef Mysliveček, Matthias Bamert, London Mozart Players	D Major	1	10B	150 BPM
Symphony No. 35 KV385 in DMajor "Haffner": Allegro con spirito	Academy of St. Martin in the Fields, Iona Brown	D Major	1	10B	79 BPM
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String Quartet No. 4 in C Major, K. 157: II. Andante	Eder Quartet	C Minor	0	5A	98 BPM
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Keyboard Sonata in E Major, Kk. 20	Domenico Scarlatti, Ivo Pogorelich	E Major	0	12B	130 BPM