On June 24, 2020, the song "Achanak Vevahan Ruthi Gayi" was released by Sulochana Joshi. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ravi Ustad's "Lagananu Intarayu" album is number 7 out of 8. On top of that, India appears to be the country where this track was created. Achanak Vevahan Ruthi Gayi is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Achanak Vevahan Ruthi Gayi by Sulochana Joshi to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shanidev Vandan | Nitin Devka | B Major | 3 | 1B | 75 BPM | ||
| Hey Maruti Sari Ramkatha | Hari Om Sharan, Hemant Chauhan, Sairam Dave, Babla Mehta, Vipin Sachdeva, Mahendra Kapoor, Zahid Nazan | A Major | 7 | 11B | 88 BPM | ||
| Amba Abhay Pad Daayni | Suresh Raval, Meena Patel | F♯ Major | 8 | 2B | 143 BPM | ||
| Bahuchar Bavni | Ami Joshi | F Minor | 7 | 4A | 98 BPM | ||
| Jhat Karo Bhai Tapas Karo Bhai | Sulochana Joshi | E Major | 5 | 12B | 83 BPM | ||
| Shri Yamunashtakam | Nidhi Dholakia | A♭ Major | 4 | 4B | 150 BPM | ||
| Lili Chundadi Odhi Re Nisrya | Master Rana | F Minor | 6 | 4A | 90 BPM | ||
| Shant Zarukhe | Manhar Udhas | F♯ Minor | 4 | 11A | 62 BPM | ||
| Aaj Re Sapana Ma Me To | Bhikhudan Gadhvi | E♭ Minor | 7 | 2A | 126 BPM | ||
| Taro Nedo Lagyo | Anuradha Paudwal, Hemant Chauhan | D♭ Major | 6 | 3B | 79 BPM | ||
| Alakh Niranjan Jay Guru Daity Girnari | Shree Swami, Samarth Maharaj | A♭ Major | 6 | 4B | 102 BPM | ||
| Dholaji Re Rajkot Sher ne Angan Nobat Vage re | Lalita Ghodadra | F Minor | 7 | 4A | 164 BPM | ||
| Kar Do Kashama Kishori Apradh Mere Sare | Mukul Dwivedi | E Minor | 4 | 9A | 98 BPM | ||
| Tari Jug Jug Rahega | Ramdas Gondaliya | A♭ Minor | 9 | 1A | 177 BPM | ||
| Jai Lakshmi Kalyanji Maiya Vandana | Nandini Sharan | E♭ Major | 6 | 5B | 167 BPM | ||
| Zhani Chamak Vage Ghughardi | Jashvant Rathva | F Minor | 8 | 4A | 112 BPM | ||
| Lav Hathedi Shyam Lakhi Dau | Master Rana | F Major | 5 | 7B | 144 BPM | ||
| Karu Koti Koti Pranam | Sachin Limaye, Gaytri Upadhyay | F Minor | 7 | 4A | 87 BPM | ||
| Timli Dhamaka Part 3 | Rajal Barot, Bharat Pagi | B Major | 7 | 1B | 119 BPM | ||
| Jay Chandi Chaamunda Maa | Kirtidan Gadhvi, Kavita Das | F♯ Major | 7 | 2B | 114 BPM | ||
| Mara Ghat Ma Birajta Shrinathji | Meena Patel | F♯ Minor | 8 | 11A | 83 BPM | ||
| Partham Shri Ganesh Besado | Sulochana Joshi | A♭ Major | 5 | 4B | 110 BPM | ||
| Praniya Bhajile Ne | Hari Bharwad | F Major | 6 | 7B | 151 BPM | ||
| Jene Angniye Tulsino | Master Rana | B♭ Minor | 5 | 3A | 110 BPM | ||
| Mandap Ropan-Maro Mandavdo | Lalita Ghodadra | F Minor | 7 | 4A | 164 BPM |