"Passenger 57" by The Tony Danza Tapdance Extravaganza had its release date on July 4, 2010. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Passenger 57's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 12 in Danza 3: The Series of Unfortunate Events by The Tony Danza Tapdance Extravaganza. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Passenger 57's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Passenger 57 by The Tony Danza Tapdance Extravaganza is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jim Fear | The Dillinger Escape Plan | G Major | 10 | 9B | 87 BPM | ||
| Next Time You Are Going to Get It Dirty, Shirley | Arsonists Get All The Girls | F Minor | 10 | 4A | 142 BPM | ||
| W.a.L.L.S. | The Tony Danza Tapdance Extravaganza | B Major | 10 | 1B | 100 BPM | ||
| Box of Need(les) | Elysia | A♭ Major | 9 | 4B | 120 BPM | ||
| She Is Well and Nothing Can Be Ill | Glass Cloud | D♭ Major | 10 | 3B | 160 BPM | ||
| Torn Self | Dead To Fall | B Major | 9 | 1B | 200 BPM | ||
| You Can't Win | Animosity | D Major | 10 | 10B | 108 BPM | ||
| Sever The Voices | Veil Of Maya | F♯ Major | 9 | 2B | 119 BPM | ||
| Teach: | The Chariot | F♯ Major | 9 | 2B | 120 BPM | ||
| Heavy Glow | Soulkeeper | A♭ Minor | 10 | 1A | 175 BPM | ||
| Empty Shell | Into The Moat | D♭ Major | 9 | 3B | 124 BPM | ||
| Good Christians Don't Get Jiggy with It 'til After Marriage | See You Next Tuesday | D Major | 10 | 10B | 68 BPM | ||
| Daggers | The Chariot | A Minor | 10 | 8A | 127 BPM | ||
| Shunned Redeemer | Ion Dissonance | D♭ Major | 10 | 3B | 130 BPM | ||
| My Mirror No Longer Reflects | Poison The Well | D Minor | 8 | 7A | 85 BPM | ||
| Pee Wee Herman/Paul Reubens | Ed Gein | D Major | 10 | 10B | 119 BPM | ||
| Thieves | Animosity | D♭ Major | 9 | 3B | 128 BPM | ||
| in | The Chariot | D♭ Minor | 10 | 12A | 145 BPM | ||
| Intrigant | MouthBreather | F Minor | 10 | 4A | 110 BPM | ||
| Tears of the Blameless | Despised Icon | E Major | 9 | 12B | 140 BPM | ||
| MVP | Despised Icon | G Major | 9 | 9B | 140 BPM | ||
| Atlas[t] | Structures | B♭ Minor | 10 | 3A | 141 BPM | ||
| Mall-Nutrition | Heavy Heavy Low Low | A Major | 10 | 11B | 83 BPM | ||
| Horse-Drawn | Destroyer Destroyer | D♭ Minor | 10 | 12A | 93 BPM | ||
| You Gonna Buy the Beers or the Whole Damn Bar | The Tony Danza Tapdance Extravaganza | B♭ Minor | 10 | 3A | 101 BPM |