Viviane Hagner's 'Introduction and Rondo Capriccioso in A Minor for Violin and Orchestra, Op. 28' had a release date set for December 13, 2011. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 25 in the song's album "The Best Romantic Era Violin Music". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Introduction and Rondo Capriccioso in A Minor for Violin and Orchestra, Op. 28 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Introduction and Rondo Capriccioso in A Minor for Violin and Orchestra, Op. 28 by Viviane Hagner having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
The music key of this track is A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vocalise, Op. 34 No. 14 (Arr. for Violin and Piano) | Sergei Rachmaninoff, Lisa Batiashvili, Hélène Grimaud | E Minor | 0 | 9A | 95 BPM | ||
| Violin Sonata No. 3 in C Minor, Op. 45: III. Allegro animato | Edvard Grieg, Renaud Capuçon, Khatia Buniatishvili | A♭ Major | 1 | 4B | 122 BPM | ||
| I. Un poco andante - Allegro molto ed agitato (Arr. R. Tognetti for string orchestra) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | F Major | 0 | 7B | 92 BPM | ||
| Kodály: Duo for Violin and Cello, Op. 7: II. Adagio (Live at Saratoga Performing Arts Centre, 1998) | Zoltán Kodály, Truls Mørk, Chantal Juillet | B Minor | 0 | 10A | 133 BPM | ||
| Cello Concerto, Op. 22: I. Allegro moderato | Samuel Barber, Baltimore Symphony Orchestra, Yo-Yo Ma, David Zinman | A Minor | 0 | 8A | 82 BPM | ||
| Symphony No. 3 in G Minor, Op. 36: IV. Finale (Allegro) | Louise Farrenc, North German Radio Symphony, Hannover, Johannes Goritzki | G Minor | 1 | 6A | 126 BPM | ||
| Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Jascha Heifetz, Charles Münch, Boston Symphony Orchestra | G Major | 0 | 9B | 101 BPM | ||
| No. 3, Allegretto scherzando | Antonín Dvořák, Scharoun Ensemble | G Major | 1 | 9B | 134 BPM | ||
| Piano Concerto in A Minor, Op. 7: III. Finale. Allegro non troppo - Allegro Molto | Clara Schumann, Ragna Schirmer, Staatskapelle Halle, Ariane Matiakh | A Minor | 1 | 8A | 105 BPM | ||
| Carmen Concert Fantasy, Op. 25: III. Lento assai | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | D Major | 1 | 10B | 111 BPM | ||
| String Quartet No. 14 in D Minor, D.810 -"Death and the Maiden": 4. Presto | Franz Schubert, Hagen Quartett | D♭ Major | 1 | 3B | 149 BPM | ||
| Bartók: Sonata For Solo Violin Sz. 117 1. Tempo Di Ciaccona | Viviane Hagner | D Major | 1 | 10B | 87 BPM | ||
| Légende op. 17 | Henryk Wieniawski, Ray Chen, Noreen Polera | G Minor | 1 | 6A | 63 BPM | ||
| Romeo and Juliet, Op. 64, Act III: No. 48, Aubade (Morning Serenade) | Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel | B Minor | 0 | 10A | 133 BPM | ||
| Elgar: Violin Sonata in E Minor, Op. 82: II. Romance. Andante | Renaud Capuçon, Stephen Hough | B Minor | 0 | 10A | 133 BPM | ||
| Shostakovich: Cello Concerto No. 1 in E-Flat Major, Op. 107: I. Allegretto | Dmitri Shostakovich, Han-Na Chang, Antonio Pappano, London Symphony Orchestra | E Minor | 0 | 9A | 134 BPM | ||
| Schumann: Symphony No. 4 in D Minor, Op. 120: III. Scherzo (Lebhaft) | Robert Schumann, San Francisco Symphony, Michael Tilson Thomas | F Major | 1 | 7B | 81 BPM | ||
| Concerto in A Minor for Violin and Cello, Op. 102: Andante | Johannes Brahms, Jascha Heifetz, Gregor Piatigorsky, RCA Victor Symphony Orchestra, Alfred Wallenstein | A Minor | 2 | 8A | 94 BPM | ||
| Cello Concerto In B Minor, Op. 104, B.191: II. Adagio ma non troppo | Antonín Dvořák, Pierre Fournier, Berliner Philharmoniker, George Szell | B♭ Major | 3 | 6B | 96 BPM | ||
| Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester | C Major | 1 | 8B | 96 BPM | ||
| Cello Concerto, Op. 85 in E Minor: II. Lento - Allegro molto | Edward Elgar, Jean-Guihen Queyras, Jiří Bělohlávek, BBC Symphony Orchestra | G Major | 2 | 9B | 82 BPM | ||
| Schumann: Cello Concerto in A Minor, Op. 129: III. Sehr lebhaft | Mstislav Rostropovich | C Major | 1 | 8B | 109 BPM | ||
| Violin Concerto in D Major: II. Aria I | Igor Stravinsky, Sir Neville Marriner, Academy of St. Martin in the Fields, Hilary Hahn | D Minor | 1 | 7A | 96 BPM | ||
| Mendelssohn: String Quartet No. 6 in F Minor, Op. 80, MWV R37: IV. Finale. Allegro molto | Felix Mendelssohn, Quatuor Ébène | F Minor | 3 | 4A | 88 BPM | ||
| Violin Concerto No. 2 In G Minor, Op. 63: 2. Andante assai | Sergei Prokofiev, Gil Shaham, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 64 BPM |