Nina Simone's ' "The Times They Are A-Changin' - Outtake" was released on its scheduled release date, 1993. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 16 out of 17 in A Single Woman (Expanded) by Nina Simone. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of The Times They Are A-Changin' - Outtake is currently average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of The Times They Are A-Changin' - Outtake by Nina Simone is Presto (very, very fast), since this song has a tempo of 191 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Three Golden Trees | Frazey Ford | G Minor | 5 | 6A | 113 BPM | ||
| Blue Moon | Julie London | B Minor | 0 | 10A | 91 BPM | ||
| Go Leave | Antony | E♭ Major | 1 | 5B | 72 BPM | ||
| That's Life - Live At The Apollo Theater, 1967 | James Brown & The Famous Flames | G Major | 2 | 9B | 64 BPM | ||
| In Loving Memory | Gabriels | C Minor | 1 | 5A | 116 BPM | ||
| Shake Sugaree | Elizabeth Cotten and Brenda Evans | B♭ Major | 1 | 6B | 176 BPM | ||
| Not Dark Yet | Shelby Lynne, Allison Moorer | C Major | 5 | 8B | 137 BPM | ||
| Ma Rainey's Black Bottom | Ma Rainey | D♭ Minor | 4 | 12A | 100 BPM | ||
| A Change Is Going To Come | Baby Huey | F♯ Minor | 3 | 11A | 105 BPM | ||
| Down To Zero | Joan Armatrading | B♭ Major | 3 | 6B | 150 BPM | ||
| Stormy Weather | Billie Holiday | B♭ Major | 1 | 6B | 123 BPM | ||
| Song for a Dark Girl | Leyla McCalla | E♭ Minor | 1 | 2A | 120 BPM | ||
| Sweet Substitute | Karen Dalton | B♭ Major | 1 | 6B | 81 BPM | ||
| Chelsea Girls | Nico | G Minor | 1 | 6A | 104 BPM | ||
| Angel Of The Morning | Bettye Swann | A♭ Major | 3 | 4B | 89 BPM | ||
| Old Man River | The Righteous Brothers | C Major | 0 | 8B | 96 BPM | ||
| The Promise | Tracy Chapman | D♭ Major | 1 | 3B | 141 BPM | ||
| Liar Liar Ge2019 | Captain Ska | B♭ Minor | 9 | 3A | 90 BPM | ||
| Singing for Our Lives | Holly Near | D Major | 3 | 10B | 84 BPM | ||
| O Death | Bessie Jones, Alan Lomax | A Major | 1 | 11B | 81 BPM | ||
| Another Man Done Gone | Vera Hall | D Major | 0 | 10B | 108 BPM | ||
| I Need Some Money | John Lee Hooker | F♯ Major | 1 | 2B | 131 BPM | ||
| Lover Man (Oh Where Can You Be) | Blossom Dearie | G Minor | 1 | 6A | 99 BPM | ||
| It Hurts Me Too | Karen Dalton | A Major | 1 | 11B | 181 BPM | ||
| I Get Along Without You Very Well (Except Sometimes) - Vocal Version | Chet Baker | B♭ Major | 0 | 6B | 103 BPM |