Sandip Rathva Khatash's ' "Maru Ek Sapnu Se Li-Mese Chhodi Jati Rai" was released on its scheduled release date, June 19, 2025. The duration of This song is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Maru Ek Sapnu Se Li-Mese Chhodi Jati Rai's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Sandip Rathva Khatash's "Mese Chhodi Jati Rai" album is number 2 out of 14. On top of that, India appears to be the country where this track was created. Based on our statistics, Maru Ek Sapnu Se Li-Mese Chhodi Jati Rai's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Maru Ek Sapnu Se Li-Mese Chhodi Jati Rai by Sandip Rathva Khatash to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Angrej Dhasya Re | Deepak Chongad, Antar Singh Solanki, Nitesh Jamra | B Minor | 9 | 10A | 140 BPM | ||
| Kismat Meri Khol De Mere Savariya | Arvind Ahari | B♭ Minor | 10 | 3A | 131 BPM | ||
| Parni Parke Sali Gai | Jeliya Bhuriya | B♭ Major | 8 | 6B | 135 BPM | ||
| Rupali Ladi Layo Part 1 | Sandip Rathva Khatash | B♭ Minor | 10 | 3A | 131 BPM | ||
| Ladi Kada Levade | Vinod Dawar, Raja Bhawel | C Major | 9 | 8B | 144 BPM | ||
| Ghati Par Medo-Sandip Rathva Old Return | Sandip Rathva Khatash | F♯ Major | 9 | 2B | 128 BPM | ||
| Chori Mari Okat | Raju Banka Kheda, Madan Gurjar | A♭ Major | 9 | 4B | 135 BPM | ||
| Access Part 2 | Vaman Rathva | B♭ Minor | 10 | 3A | 131 BPM | ||
| Rode Mast Mal Patavi Lau | Sandip Rathva Khatash | D Major | 9 | 10B | 133 BPM | ||
| Tara Hath Ma Aapelu Gulab Nu Full | Ghanshyam Rathva | G Major | 10 | 9B | 144 BPM | ||
| Lagi Panoti Hath Lagi-Panoti Hath Lagi | Sandip Rathva Khatash | A♭ Minor | 9 | 1A | 140 BPM | ||
| Chambal bala chora | Gajju Chandila, Radhe gurjar, Piya Rajput | B♭ Minor | 10 | 3A | 131 BPM | ||
| 52man Mashup | Hemu Pandat Sadpuriya | F♯ Major | 9 | 2B | 120 BPM | ||
| Lagan Kankotri Lilaler Pt 6 | Rahul Bhuriya VK Bhuriya | F Major | 9 | 7B | 130 BPM | ||
| Goli Kaiyo Round Chali | Anurag Pandit | B Minor | 10 | 10A | 110 BPM | ||
| Mote Mote Pack Banabe Piye Gilas N Me Daru | DG Mawai, Lalluram Saini | B♭ Minor | 10 | 3A | 131 BPM | ||
| Desi Darudo, Pt. 4 | Vk Bhuriya | A♭ Minor | 9 | 1A | 115 BPM | ||
| Bitu Bitu Kahi Ne Fasayo Prem Ma | Jeliya Bhuriya | B♭ Minor | 7 | 3A | 100 BPM | ||
| Bhabhi Ne Devriyo | Arvind Ahari, Jayu Thakor | E Minor | 9 | 9A | 127 BPM | ||
| Patang Uda Chori | Suresh Choudhary, Salim Sekhawas, Shilpa Bidawat, Shivani Rajput | E Minor | 10 | 9A | 110 BPM | ||
| Kese Soye Rahi Hai Palang Pe Naar DJ Remix | Bhupendra Khatana | B♭ Minor | 10 | 3A | 120 BPM | ||
| Le Le Hera Rov Gi | Manish Fagna | E Major | 10 | 12B | 110 BPM | ||
| Anjani Ko Lal Gajab Kargyo | Ramkumar maluni | E Major | 10 | 12B | 105 BPM | ||
| Ponjram Popat Bolyo | Parul Rathva | F♯ Minor | 8 | 11A | 132 BPM | ||
| Sun He Rasoladi Put Kana Ji Ra Parne A | Dinesh Dewasi, Isha Bhati | B Minor | 9 | 10A | 170 BPM |