On May 25, 1973, the song "Georgia Camp Meetin'" was released by Arthur Smith. The duration of This song is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Georgia Camp Meetin''s duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 12 in Battling Banjos by Arthur Smith. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Georgia Camp Meetin' is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Georgia Camp Meetin' by Arthur Smith is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| If You've Got the Money | Boots Randolph | G Major | 8 | 9B | 114 BPM | ||
| Poor People of Paris | Jan Preston | G Major | 5 | 9B | 95 BPM | ||
| Blue Yodel No. 4 | Bill Monroe & His Blue Grass Boys | F Major | 3 | 7B | 97 BPM | ||
| I Fall to Pieces | Boots Randolph | F Major | 4 | 7B | 116 BPM | ||
| Alabama Jubilee | Red Foley | D Major | 2 | 10B | 126 BPM | ||
| Caribbean | Mitchell Torok | C Major | 9 | 8B | 142 BPM | ||
| Mule Skinner Blues | Bill Monroe & His Blue Grass Boys | C Major | 3 | 8B | 121 BPM | ||
| Bluegrass Boogie | Mike Auldridge | G Major | 5 | 9B | 116 BPM | ||
| Two Piano Boogie | Sammy Price, Fessor's Big City Band | G Major | 7 | 9B | 144 BPM | ||
| Summer Set | Acker Bilk & His Paramount Jazz Band | G Major | 6 | 9B | 115 BPM | ||
| Drums Are My Beat | Sandy Nelson | C Major | 8 | 8B | 100 BPM | ||
| Nine String Boogie | Arthur Smith | G Major | 8 | 9B | 173 BPM | ||
| Blueberry Hill | Jan Preston | A Major | 3 | 11B | 97 BPM | ||
| Dancin' The Boogie | Silvan Zingg | G Major | 6 | 9B | 105 BPM | ||
| Pinewood Road / Chattanooga Train | Marcel Dadi | A Minor | 2 | 8A | 98 BPM | ||
| Mud Island Blues | Bill Black's Combo | C Major | 5 | 8B | 118 BPM | ||
| Take Me Back To Tulsa | Bob Wills & Tommy Duncan with The Texas Playboys | D Major | 6 | 10B | 136 BPM | ||
| Chicken Strut | Arthur Smith | C Major | 6 | 8B | 100 BPM | ||
| SPANN’S STOMP | OTIS SPANN'S SOUTH SIDE PIANO | D Minor | 8 | 7A | 97 BPM | ||
| Blue Boogie | Arthur Smith | C Major | 7 | 8B | 88 BPM | ||
| Stompin' At the 'subway' | Christian Bleiming | F Major | 6 | 7B | 154 BPM | ||
| Dueling Banjos - From "Deliverance" | Arthur Smith | C Major | 2 | 8B | 142 BPM | ||
| MY BABY LEFT ME | Scotty Moore | D Major | 8 | 10B | 122 BPM | ||
| Mountain Dew - Original King Recordings | Grandpa Jones | A Major | 5 | 11B | 132 BPM | ||
| South | Joe Maphis, Arthur Smith | D Major | 9 | 10B | 160 BPM |