George Frideric Handel, Keith Jarrett's ' "Suite No. 4 in E Minor, HWV 429 (Set 1): II. Allemande" was released on its scheduled release date, September 1, 1995. The duration of This song is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Suite No. 4 in E Minor, HWV 429 (Set 1): II. Allemande's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Keith Jarrett's "Handel: Suites for Keyboard" album is number 22 out of 29. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Suite No. 4 in E Minor, HWV 429 (Set 1): II. Allemande's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Suite No. 4 in E Minor, HWV 429 (Set 1): II. Allemande by George Frideric Handel, Keith Jarrett to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite No. 7 in D Minor, Z. 668: II. Courante - Live | Henry Purcell, Grigory Sokolov | E♭ Major | 1 | 5B | 137 BPM | ||
| Liebesliederwalzer, Op. 52: No. 6, Ein kleiner hübscher Vogel | Johannes Brahms, Nils Mönkemeyer, Maximilian Hornung, Nicholas Rimmer | C Major | 1 | 8B | 114 BPM | ||
| Goldberg Variations, BWV 988: Var. 2. a 1 Clav. | Johann Sebastian Bach, Keith Jarrett | F♯ Major | 3 | 2B | 116 BPM | ||
| Sonata No. 8, Hob. XVI:5: II. Menuet | Joseph Haydn, Jean-Efflam Bavouzet | C Major | 3 | 8B | 152 BPM | ||
| Goldberg variationen, BWV 988 : Aria, Andante espressivo | Elena Valentini, Patrizia Prati | G Major | 0 | 9B | 119 BPM | ||
| Fantasie c-Moll BWV 919 | Inge Rosar, Johann Sebastian Bach | A♭ Major | 1 | 4B | 132 BPM | ||
| Purcell: Harpsichord Suite No. 2 in G Minor, Z. 661: II. Allemande | Henry Purcell, Shani Diluka | D Minor | 0 | 7A | 134 BPM | ||
| Schumann: Kinderszenen, Op. 15: No. 7, Träumerei | Robert Schumann, Maria João Pires | F Major | 0 | 7B | 66 BPM | ||
| Fugue in Bb (Arr. Solo Piano by Del Corral) | George Frideric Handel, Manuel del Corral | E Major | 1 | 12B | 137 BPM | ||
| Sonata No. 57, Hob. XVI:47: I. Moderato | Joseph Haydn, Jean-Efflam Bavouzet | C Major | 3 | 8B | 152 BPM | ||
| Mendelssohn: Songs Without Words, Book IV, Op. 53: No. 4, Adagio, MWV U114 | Felix Mendelssohn, Daniel Adni | F Major | 0 | 7B | 77 BPM | ||
| Lieder ohne Worte (Songs without Words), Book 7, Op. 85: No. 37 in F Major, Op. 85, No. 1 | Felix Mendelssohn, Péter Nagy | F Major | 0 | 7B | 73 BPM | ||
| Concerto for Flute and Oboe in B Minor, FaWV L:H1: I. Allegro | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | D♭ Major | 2 | 3B | 93 BPM | ||
| 24 Preludes & Fugues, Op. 87: No. 9 in E Major | Dmitri Shostakovich, Keith Jarrett | E Major | 1 | 12B | 139 BPM | ||
| Chocolate Dessert | Sunday Piano | A Major | 0 | 11B | 107 BPM | ||
| 24 Preludes and Fugues Op. 87: No. 3, in G Major: Fugue | Dmitri Shostakovich, Yulianna Avdeeva | A Minor | 3 | 8A | 156 BPM | ||
| Handel: Keyboard Suite in F Major, HWV 427: II. Allegro | George Frideric Handel, Sviatoslav Richter | D Minor | 0 | 7A | 176 BPM | ||
| Concerto Grosso In D Major, Op. 6, No. 1 : V. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | B Minor | 1 | 10A | 87 BPM | ||
| The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 5 in D major, BWV 850 | Luc Beauséjour | D♭ Major | 5 | 3B | 118 BPM | ||
| Scarlatti, D: Keyboard Sonata in B Minor, Kk. 87 | Domenico Scarlatti, Christian Zacharias | B♭ Major | 2 | 6B | 158 BPM | ||
| The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 15 in G major, BWV 860 | Luc Beauséjour | F♯ Major | 5 | 2B | 86 BPM | ||
| swan lake | Do Min Woo | B Minor | 2 | 10A | 83 BPM | ||
| Van Wassenaer: Concerto Armonico No. 2 in B-Flat Major: III. Adagio affettuoso | Unico Wilhelm van Wassenaer, Amsterdam Baroque Orchestra, Ton Koopman | G Minor | 3 | 6A | 78 BPM | ||
| Concerto Grosso In F Major, Op. 6, No. 2: III. Grave - Andante Largo | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Ludovit Kanta, Quido Holbling, Capella Istropolitana | F Major | 1 | 7B | 168 BPM | ||
| Fantasie g-Moll "duobus subjectis" BWV 917 | Inge Rosar | A Minor | 3 | 8A | 64 BPM |