"Ganado III" by Capcom Sound Team had its release date on 2005. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Ganado III's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 62 in the song's album "Resident Evil 4 Sound Collection". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Japan. Ganado III is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ganado III by Capcom Sound Team having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Division | Jared Emerson-Johnson | E Minor | 0 | 9A | 149 BPM | ||
| Raccoon City | Capcom Sound Team | E Major | 5 | 12B | 120 BPM | ||
| Code 3: En Route | Masafumi Takada | G Minor | 4 | 6A | 90 BPM | ||
| A Memory | Masatoshi Yanagi | D♭ Major | 0 | 3B | 99 BPM | ||
| Searching for the Nuke Room | Jack Wall | B♭ Minor | 7 | 3A | 120 BPM | ||
| Fogbound | Nobody's Nail Machine | A Major | 8 | 11B | 149 BPM | ||
| Distant Relapse | Avith Ortega | B Minor | 1 | 10A | 71 BPM | ||
| The Underground Laboratory | Capcom Sound Team | B♭ Minor | 0 | 3A | 68 BPM | ||
| Everett's Prescriptions | Jared Emerson-Johnson | D Minor | 5 | 7A | 83 BPM | ||
| Inherent to the Hill | Avith Ortega | D Major | 7 | 10B | 150 BPM | ||
| Desperate Ascent | Masami Ueda | D♭ Major | 4 | 3B | 138 BPM | ||
| Ganado II | Capcom Sound Team | A♭ Minor | 9 | 1A | 114 BPM | ||
| It Was the Joker | Nick Arundel | D♭ Minor | 2 | 12A | 162 BPM | ||
| Into the Void: Suspense | Daniel Licht | F Minor | 2 | 4A | 109 BPM | ||
| Path to Closure | Capcom Sound Team | E Minor | 9 | 9A | 151 BPM | ||
| Nut Moon | Edgar Rothermich | G Minor | 5 | 6A | 148 BPM | ||
| Lost in Vivo | Jarren Crist | E Minor | 3 | 9A | 70 BPM | ||
| The Choice -Love- | 堀諭史 | B♭ Major | 0 | 6B | 67 BPM | ||
| Sherry's Theme | Capcom Sound Team | C Major | 0 | 8B | 82 BPM | ||
| Cause and Effect | JD Mayer | C Major | 0 | 8B | 116 BPM | ||
| Approaching Storm | Jarren Crist | C Major | 2 | 8B | 83 BPM | ||
| Luto y Estrago | Carlos Viola | G Major | 1 | 9B | 91 BPM | ||
| Transfiguration | Laryssa Okada | D♭ Major | 1 | 3B | 163 BPM | ||
| The Reception Hall | NyxTheShield | A Minor | 3 | 8A | 80 BPM | ||
| Fear Again | 内山 修作 | D Major | 6 | 10B | 72 BPM |