"Welcome to Skidmore" by John Patrick Elliott had its release date on October 25, 2024. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in John Patrick Elliott's "KENREX (Music from the Play)" album is number 1 out of 15. Welcome to Skidmore is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Welcome to Skidmore by John Patrick Elliott to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Too Late | Slim Paul | A♭ Major | 5 | 4B | 100 BPM | ||
| French Connection | Songs To Your Eyes | D Major | 4 | 10B | 141 BPM | ||
| The Wicked | Andrea Wasse | D Minor | 5 | 7A | 120 BPM | ||
| The Tale of Huggin' molly | Olivier Deriviere | A Minor | 2 | 8A | 67 BPM | ||
| Brokeback | Wayward Jane | D Minor | 4 | 7A | 159 BPM | ||
| Tamping Song (feat. Haruka Fujii) | Silkroad Ensemble, Rhiannon Giddens, Haruka Fujii | F Minor | 3 | 4A | 97 BPM | ||
| A Lifetime of Goodbyes | Walt Adams | A Major | 6 | 11B | 190 BPM | ||
| Noc Wilka | Karolina Skrzyńska | D Major | 4 | 10B | 141 BPM | ||
| We Are Sacred | Johanna Beekman, Luke Rain, Jerry Swanson | E Minor | 3 | 9A | 105 BPM | ||
| The Final Ride | Patrick Zelinski, Eric Heitmann | B♭ Minor | 4 | 3A | 77 BPM | ||
| The Power of Music Sermon | John Patrick Elliott | B♭ Minor | 4 | 3A | 129 BPM | ||
| Curandera | Ryan Ike | F Major | 2 | 7B | 140 BPM | ||
| Infinity | Northside | G Major | 6 | 9B | 100 BPM | ||
| DJ Fingers and the Death of Music | John Patrick Elliott | C Major | 6 | 8B | 121 BPM | ||
| Old Growth | Brad Kolodner | C Minor | 2 | 5A | 93 BPM | ||
| The Art of Smoke | Sunseer | G Major | 1 | 9B | 136 BPM | ||
| Don’t Start Now | Lishama | C Major | 5 | 8B | 137 BPM | ||
| Bottom of the River | Delta Rae | A Major | 2 | 11B | 79 BPM | ||
| One Star | Phideaux | D Major | 4 | 10B | 141 BPM | ||
| Dawn's Embrace | Eldrvak | D♭ Minor | 8 | 12A | 94 BPM | ||
| Black Horses | Rufous Nightjar | E Minor | 2 | 9A | 93 BPM | ||
| Devils After My Soul | Justin Johnson | E Major | 1 | 12B | 88 BPM | ||
| Gawain | The Trials of Cato | F Minor | 4 | 4A | 85 BPM | ||
| Like A River | Holy Moly & The Crackers | E Minor | 5 | 9A | 76 BPM | ||
| Monadnock | David Howley | F Minor | 2 | 4A | 134 BPM |