What Do You Do With An Idea?: One Day by Paul Rissmann, Adelaide Symphony Orchestra, Luke Dollman, Young Adelaide Voices with Christie Anderson, Tilda Cobham Hervey Song Details

Paul Rissmann, Adelaide Symphony Orchestra, Luke Dollman, Young Adelaide Voices with Christie Anderson, Tilda Cobham Hervey's 'What Do You Do With An Idea?: One Day' had a release date set for January 9, 2024. With This song being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of What Do You Do With An Idea? by Paul Rissmann, Adelaide Symphony Orchestra, Luke Dollman. The song's track number on the album is #1 out of 10 tracks. Based on our statistics, What Do You Do With An Idea?: One Day's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

Since What Do You Do With An Idea?: One Day by Paul Rissmann, Adelaide Symphony Orchestra, Luke Dollman, Young Adelaide Voices with Christie Anderson, Tilda Cobham Hervey has a tempo of 124 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With What Do You Do With An Idea?: One Day being at 124 BPM, the half-time would be 62 BPM with a double-time of 248 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.

Music Key

This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -15.863 dB
Acousticness: 63%
Danceability: 26%
Energy: 15%
Instrumentalness: 6%
Liveness: 31%
Loudness: 74%
Speechiness: 4%
Valence: 30%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Pronunciandose En Silencio	Sirenas Celestiales	A Minor	5	8A	130 BPM
Songs of the Fleet, Op. 117: II. The Song of the Sou'Wester	Charles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, Gerald Finley, BBC National Chorus of Wales	C Major	2	8B	89 BPM
Copland: Suite from Appalachian Spring: I. Very Slowly (1945 Version)	Aaron Copland, Minnesota Orchestra, Sir Neville Marriner	C Major	0	8B	87 BPM
Suite Bergamasque, L. 75: 3. Clair de lune (Arr. Henry Krips)	Henry Krips, Claude Debussy, Adelaide Symphony Orchestra, Ron Spigelman	G Major	0	9B	92 BPM
33 Jesus é o nosso Guia H5	CCB Orquestra	C Major	1	8B	171 BPM
The Merry Widow: V. Vilja	Franz Lehár, Carl Davis, Munich Symphony Orchestra	B♭ Major	1	6B	123 BPM
New World Suite (Reconstructed by A. Walker): IX. Berceuse	Ignatz Waghalter, State Symphony Orchestra "Novaya Rossiya", Alexander Walker	E♭ Major	1	5B	130 BPM
Humperdinck : Hänsel und Gretel : Overture to Act 1	Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra	C Major	0	8B	92 BPM
346 Longe do mal e perto de Ti H5	CCB Orquestra	A♭ Major	1	4B	75 BPM
Poppies	Gillian Bevan	E♭ Major	2	5B	84 BPM
Shattered Echoes	Orithia	D Major	6	10B	98 BPM
Peter and the Wolf, Op. 67: He Ran Home, Got a Strong Rope and Climbed up the High Stone Wall	Peter Ustinov, Herbert von Karajan, Philharmonia Orchestra	C Major	2	8B	130 BPM
舞台 - 2025 Live	Tokyo Philharmonic Orchestra	D Major	5	10B	145 BPM
Serenade for String Orchestra, Op. 46: Cavatina. Lento cantabile	Hans Gál, Nina Karmon, Oliver Triendl, Sinfonietta Riga, Normunds Šnē	D Major	1	10B	86 BPM
In the Hood	Ede Rezvanov, Onlyfire	D Minor	1	7A	95 BPM
H.M.S. Pinafore, Act I: Sir, You Are Sad	Gilbert & Sullivan Society of Houston	C Major	1	8B	174 BPM
Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): V. Dance of the Tumblers	Kurt Weill, Robert Russell Bennett, Bournemouth Symphony Orchestra, Marin Alsop	G Minor	1	6A	69 BPM
Stan and Mabel: 10. I Like the Beat of Your Feet	Paul Rissmann, Young Adelaide Voices, Adelaide Symphony Orchestra, Benjamin Northey	A♭ Minor	2	1A	118 BPM
Suite en miniature, Op. 1: IV. Menuetto	Vitezslava Kaprálová, Appassionato, Mathieu Herzog	G Major	2	9B	168 BPM
Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): I. My Ship: Andante misterioso	Kurt Weill, Robert Russell Bennett, Bournemouth Symphony Orchestra, Marin Alsop	C Major	0	8B	73 BPM
Descenso Celestial	Senderos Del Destino	F♯ Minor	2	11A	130 BPM
The Seasons, Op. 67: IV. Petit Adagio	Alexander Glazunov, Yevgeny Svetlanov, Philharmonia Orchestra	F♯ Major	0	2B	71 BPM
The Carnival of the Animals: 14. Finale	Camille Saint-Saëns, Adelaide Symphony Orchestra, David Stanhope	C Major	3	8B	95 BPM
I Never Know When To Say When	Leroy Anderson	C Minor	3	5A	94 BPM
Teil 19 - Folge 42: Dritte Runde für Professor van Dusen	Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Helmut Stauss, Peter Matic, Viola Sauer, Liane Rudolph, Heinz Rabe, Jean Cuillerier, Andreas Thieck, Uwe Müller	B Minor	4	10A	114 BPM