On April 22, 2022, the song "When We Take Over" was released by Daniel Johns. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. When We Take Over's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 12 in FutureNever by Daniel Johns. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. Based on our statistics, When We Take Over's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of When We Take Over by Daniel Johns is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tuna in the Brine | Silverchair | C Minor | 5 | 5A | 121 BPM | ||
| Exit Signs | Noah Gundersen | C Major | 6 | 8B | 82 BPM | ||
| Throw Your Arms Around Me | Katie Noonan | D Major | 1 | 10B | 102 BPM | ||
| Summoning | Lisa Mitchell, Jess Hitchcock | C Major | 4 | 8B | 99 BPM | ||
| Thanks Bro - 2009 Remastered Version | Filter | G Major | 4 | 9B | 87 BPM | ||
| My Guiding Light | Evermore | E♭ Minor | 7 | 2A | 84 BPM | ||
| Clovis' Son (feat. Glenn Hopper & Freya Schack-Arnott) - Acoustic | Josh Pyke, Glenn Hopper, Freya Schack-Arnott | G Major | 6 | 9B | 140 BPM | ||
| Don't U Eva | Sarah Blasko | B♭ Minor | 7 | 3A | 148 BPM | ||
| Fashionably Late (Every New Year’s Day) | Shannen James, Paul Dempsey | A♭ Major | 6 | 4B | 92 BPM | ||
| Mermaid Avenue | Vera Blue | A Major | 3 | 11B | 148 BPM | ||
| How To Disappear Completely | Lotte Kestner | C Minor | 1 | 5A | 130 BPM | ||
| Last Nite I Left My Heart All Over the Place | Tim Rogers & The Twin Set | E♭ Major | 7 | 5B | 80 BPM | ||
| Dime in My Dryer | Brandon Boyd | A♭ Major | 6 | 4B | 90 BPM | ||
| Would | Anthony Vincent, Violet Orlandi | B♭ Minor | 7 | 3A | 89 BPM | ||
| Blindspot | Paul Dempsey | D Minor | 8 | 7A | 123 BPM | ||
| We Are Not Afraid | Midnight Oil | C Major | 9 | 8B | 128 BPM | ||
| Feels Like Coming Home | Nick Murphy, The Program | A Major | 2 | 11B | 124 BPM | ||
| Sky Is Falling | Bertie Blackman | D♭ Minor | 4 | 12A | 136 BPM | ||
| Coming In From The Dark (feat. New Zealand Symphony Orchestra) | Hollie Smith, New Zealand Symphony Orchestra | F Minor | 3 | 4A | 74 BPM | ||
| Your Heart Won't Always Weigh a Tonne | Josh Pyke | F Major | 6 | 7B | 122 BPM | ||
| Head On The Pillow | Meg Mac | D Major | 6 | 10B | 107 BPM | ||
| Take In The Roses | Nick Murphy, The Program | D Major | 2 | 10B | 102 BPM | ||
| Weightless - elbowrooms | Elbow | C Major | 5 | 8B | 130 BPM | ||
| Everlong - triple j Like A Version | Greta Stanley | B Minor | 3 | 10A | 150 BPM | ||
| Born For This Bullshit (feat. Sad13) | Ben Lee, Sad13 | F Major | 9 | 7B | 144 BPM |