"Componimenti Musicali, Suite No. 1 in C Major, MC A13: III. Courante, R. 87" by Gottlieb Muffat, Mitzi Meyerson had its release date on January 1, 2009. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Componimenti Musicali, Suite No. 1 in C Major, MC A13: III. Courante, R. 87's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gottlieb Muffat, Mitzi Meyerson's "Muffat, G.: Componimenti Musicali Per Il Cembalo" album is number 3 out of 51. On top of that, Spain appears to be the country where this track was created. Componimenti Musicali, Suite No. 1 in C Major, MC A13: III. Courante, R. 87 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Componimenti Musicali, Suite No. 1 in C Major, MC A13: III. Courante, R. 87 by Gottlieb Muffat, Mitzi Meyerson to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| De Albero : Recercata, Fuga and Sonata in G major : I Recercata | Sebastián De Albero, Andreas Staier | A♭ Major | 4 | 4B | 98 BPM | ||
| Les Goûts-réünis - Concert No.14 in D minor: 2. Allemande | François Couperin, Les Talens Lyriques, Christophe Rousset | C Minor | 2 | 5A | 102 BPM | ||
| Concerto Armonico No. 1 in G Major: Un poco andante | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E♭ Minor | 1 | 2A | 103 BPM | ||
| Overture No. 6 in B-Flat Major: III. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Major | 1 | 2B | 117 BPM | ||
| Couperin, L: Suite en ré: III. Courante, G. 42 | Louis Couperin, Jean Rondeau | G Minor | 2 | 6A | 84 BPM | ||
| Componimenti musicali per il cembalo, Suite I in C Major: VI. Menuet & Trio | Gottlieb Muffat, Alexandra Nepomnyashchaya | D♭ Major | 4 | 3B | 74 BPM | ||
| The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 8 in E flat minor, BWV 853 | Luc Beauséjour | G Minor | 2 | 6A | 89 BPM | ||
| Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM | ||
| Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
| Dardanus Suite, RTC 35A, Act I: Rigaudons I & II | Jean-Philippe Rameau, Indianapolis Baroque Orchestra, Barthold Kuijken | F♯ Major | 1 | 2B | 93 BPM | ||
| 小さな風車 (クラヴサン曲集 第3巻 第17組曲 1722より) | François Couperin, 中野振一郎 | F Major | 3 | 7B | 64 BPM | ||
| Sonata in A Major, No. 6: IV. Adagio | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | F Minor | 1 | 4A | 105 BPM | ||
| 3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: III. Sarabanda | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Les goûts-réunis, Concert No. 7: V. Gavotte. Gaiement | François Couperin, Thomas Brandis, Josef Ulsamer, Christiane Jaccottet | G Minor | 4 | 6A | 104 BPM | ||
| Rameau: Pièces de clavecin (1724), Suite in D Major, RCT 3: No. 6 L'Entretien des Muses | Jean-Philippe Rameau, Jean Rondeau | C Minor | 2 | 5A | 66 BPM | ||
| Suite (Partita) No. 12 in C Major, FbWV 612: IV. Gigue | Johann Jakob Froberger, Władysław Kłosiewicz | D♭ Minor | 1 | 12A | 110 BPM | ||
| Concerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Allegro (1) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | F♯ Major | 3 | 2B | 116 BPM | ||
| Concerto I in D Major: I. Grave - Allegro - Adagio | Francesco Geminiani, Academy of Ancient Music, Andrew Manze | D♭ Major | 1 | 3B | 75 BPM | ||
| Suitte en Trio No. 3 in E Minor, Op. 1: I. Prelude | Louis-Antoine Dornel, Musica Barocca | E♭ Minor | 1 | 2A | 142 BPM | ||
| Harpsichord Sonata in D Major, Op. 3 No. 1, SF C717a: I. Largo | Benedetto Marcello, Roberto Loreggian | A♭ Major | 3 | 4B | 88 BPM | ||
| Suite Española: III. Seguidillas | Timothy Brown, Elaine Funaro | A Minor | 4 | 8A | 146 BPM | ||
| Concerto in E minor for oboe, strings and basso continuo: IiI. Largo | Han De Vries, Bob van Asperen, Alma Musica Amsterdam | E♭ Minor | 1 | 2A | 86 BPM | ||
| Sonata in G Minor, Op. 2, No. 3: I. Adagio | Benedetto Marcello, Collegium Pro Musica | F♯ Minor | 1 | 11A | 80 BPM | ||
| Concerto À 4 Parties In A Minor: 2. Gavotte I and Gavotte II:Tendrement | Michel Blavet, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 0 | 4B | 104 BPM | ||
| Symphony in D Major, J-C 16: I. Alla breve | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 137 BPM |