"Return To The Asylum" by Howard Shore, Munich Symphony had its release date on January 1, 1991. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Return To The Asylum's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "The Silence Of The Lambs". In this album, this song's track order is #4. Return To The Asylum is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Return To The Asylum by Howard Shore, Munich Symphony having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Torrens | The Flight, Christian Henson | A♭ Major | 1 | 4B | 128 BPM | ||
| Autographs | Jason Hill | C Minor | 0 | 5A | 71 BPM | ||
| Rockwell's Diary 1 | Gareth Coker | G Major | 1 | 9B | 86 BPM | ||
| Wolf Creek: Main Title | Francois Tetaz | B♭ Minor | 3 | 3A | 81 BPM | ||
| Ilusiones Y Realidades | Sergio Gómez Oliveros, Non Binary, Bellum Sanctus | E Minor | 3 | 9A | 65 BPM | ||
| Opening Sequence (With Sweetners) | David Shire | F♯ Minor | 1 | 11A | 80 BPM | ||
| Mirada | Stephor Shpandau | D Major | 3 | 10B | 104 BPM | ||
| A Dream | Ivan Gonnochenko | F Minor | 1 | 4A | 87 BPM | ||
| Strano notturno | Solisti e Orchestre del Cinema Italiano | E♭ Major | 2 | 5B | 78 BPM | ||
| Sacrifice | The Prestige | A Minor | 1 | 8A | 84 BPM | ||
| Augustus Landor's Library | Howard Shore | E Minor | 0 | 9A | 77 BPM | ||
| Colorado Springs | The Prestige | A Minor | 1 | 8A | 91 BPM | ||
| Murphy's Dream | Basil Poledouris | F Major | 2 | 7B | 101 BPM | ||
| Care to Dance? | Jon Ekstrand | A♭ Minor | 1 | 1A | 49 BPM | ||
| Prologue | Joseph Loduca | E Major | 2 | 12B | 170 BPM | ||
| What's This Really All About? | John Ottman | C Major | 1 | 8B | 180 BPM | ||
| Evidence of Murder | 조영욱과 THE SOUNDTRACKINGS | E Minor | 2 | 9A | 87 BPM | ||
| Hospital Ward | Howard Shore | G Major | 2 | 9B | 112 BPM | ||
| Six Robots - Score Version | John Barry | D Minor | 3 | 7A | 93 BPM | ||
| Whatever You Like | Emre Ozsoy, Jean West | G Major | 1 | 9B | 75 BPM | ||
| Run Like, Um... Hell? | Michael Giacchino | D♭ Major | 4 | 3B | 141 BPM | ||
| 6 AM | Howard Shore | G Major | 1 | 9B | 121 BPM | ||
| Tomorrow Again | Stephor Shpandau | E Minor | 2 | 9A | 95 BPM | ||
| Regression | Zilgi | F Minor | 1 | 4A | 181 BPM | ||
| The Rat Slice Quartet | Christopher Young | G Major | 1 | 9B | 172 BPM |