Matt Nathanson's ' "Room @ The End Of The World" was released on its scheduled release date, 2011. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Matt Nathanson's "Modern Love (Deluxe Edition)" album is number 4 out of 14. Based on our statistics, Room @ The End Of The World's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Room @ The End Of The World by Matt Nathanson to be Allegro (fast, quick, and bright) because the track has a tempo of 155 BPM, a half-time of 78BPM, and a double-time of 310 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Run - Sugarland Version | Sugarland, Matt Nathanson | C Major | 5 | 8B | 110 BPM | ||
| Sad Songs | Matt Nathanson | F♯ Minor | 9 | 11A | 140 BPM | ||
| A --> B | Matt Hires | B♭ Minor | 6 | 3A | 93 BPM | ||
| Tell Me A Lie | Griffin House | D♭ Major | 3 | 3B | 126 BPM | ||
| Mad Love | Neon Trees | C Major | 8 | 8B | 140 BPM | ||
| Learning | Green River Ordinance | B♭ Major | 8 | 6B | 82 BPM | ||
| Life Less Ordinary | Carbon Leaf | G Major | 8 | 9B | 107 BPM | ||
| Ships In The Night | Mat Kearney | A Major | 9 | 11B | 178 BPM | ||
| Moonlight | Thriving Ivory | F♯ Major | 9 | 2B | 103 BPM | ||
| Come to California | Ron Pope | A Major | 5 | 11B | 155 BPM | ||
| Where You Wanna Go | Red Wanting Blue | D Major | 6 | 10B | 84 BPM | ||
| Ever the Same | Rob Thomas | D♭ Minor | 7 | 12A | 188 BPM | ||
| Something To Believe In | Parachute | G Major | 9 | 9B | 172 BPM | ||
| Ash And Ember | Augustana | D Major | 8 | 10B | 115 BPM | ||
| Pink and Black | Tyler Hilton | F Major | 9 | 7B | 102 BPM | ||
| Shady Esperanto And The Young Hearts | Stephen Kellogg and The Sixers | A♭ Major | 9 | 4B | 131 BPM | ||
| Promise of Summer | Jackopierce | A♭ Major | 8 | 4B | 136 BPM | ||
| Almost Perfect | Ingram Hill | D Major | 9 | 10B | 106 BPM | ||
| Healing Touch | Green River Ordinance | A Major | 6 | 11B | 160 BPM | ||
| Flowerparts | Bob Schneider | E Major | 7 | 12B | 110 BPM | ||
| Someone Like You | Matt Wertz | E♭ Major | 7 | 5B | 95 BPM | ||
| Halls | Andrew McMahon in the Wilderness | E Major | 9 | 12B | 98 BPM | ||
| Aftermath | The Alternate Routes | G Major | 7 | 9B | 97 BPM | ||
| Blame It On The Changes | Dashboard Confessional | C Major | 8 | 8B | 123 BPM | ||
| When You're On Top | The Wallflowers | D Major | 6 | 10B | 137 BPM |