"Judy and Tony (End Credits Version)" by Benjamin Wallfisch had its release date on August 29, 2025. With This song being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "The Conjuring: Last Rites (Original Motion Picture Soundtrack)". In this album, this song's track order is #26. Furthermore, we believe that the track originated from United States. In terms of popularity, Judy and Tony (End Credits Version) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Judy and Tony (End Credits Version) by Benjamin Wallfisch having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cobolt | Benjamin Wallfisch | D♭ Major | 2 | 3B | 62 BPM | ||
| We Have Each Other | Anne Nikitin | C Minor | 1 | 5A | 138 BPM | ||
| Remember Us - Based Upon Themes by Elliot Goldenthal | Tyler Bates | F Minor | 2 | 4A | 76 BPM | ||
| Reprise / Fly Away | John Ottman | E Minor | 3 | 9A | 64 BPM | ||
| How Could You Leave Us | John Ottman | D Minor | 1 | 7A | 87 BPM | ||
| Goodbye Eilis | Michael Brook | B♭ Major | 2 | 6B | 86 BPM | ||
| Prawnkus | Clinton Shorter | A♭ Major | 1 | 4B | 130 BPM | ||
| Pocahontas And Smith | James Horner | G Major | 0 | 9B | 62 BPM | ||
| All That Is Good | Tyler Bates, Lisa Papineau | D Major | 10 | 10B | 143 BPM | ||
| Out Of Blue | Clint Mansell | D Minor | 1 | 7A | 81 BPM | ||
| Yellow Raincoat | Benjamin Wallfisch | F Major | 1 | 7B | 79 BPM | ||
| Who I Want to Be | David Arnold, Michael Price | A Minor | 2 | 8A | 163 BPM | ||
| Moira and June Escape | Adam Taylor | D♭ Major | 2 | 3B | 90 BPM | ||
| Body Heat | Harald Kloser | A Minor | 1 | 8A | 83 BPM | ||
| Planet 4/Main Theme | Jed Kurzel | B♭ Minor | 2 | 3A | 56 BPM | ||
| Hope at the End of the World | Stephan Zacharias | D Minor | 1 | 7A | 84 BPM | ||
| Rejoice | West Dylan Thordson | E Major | 1 | 12B | 90 BPM | ||
| David's Writings | Christopher Willis | D♭ Minor | 4 | 12A | 92 BPM | ||
| Hope (Xavier's Theme) | John Ottman, Jeffrey Schindler, American Federation of Musicians | A Minor | 1 | 8A | 132 BPM | ||
| Sunday Dies | Christian Wibe | D Minor | 0 | 7A | 68 BPM | ||
| Secrets and Lies | Atli Örvarsson | A Minor | 2 | 8A | 75 BPM | ||
| At Eternity's Gate | Clint Mansell | A Minor | 1 | 8A | 84 BPM | ||
| Hollow in the Ferns | Craig Armstrong | D Minor | 1 | 7A | 85 BPM | ||
| The Night Café | Clint Mansell | D Minor | 3 | 7A | 113 BPM | ||
| Rooftop Kiss | James Horner | G Major | 0 | 9B | 70 BPM |