Ramaiah Muthuswamy, Latha Walpola, Hugo Fernando, Dharmadasa Walpola's ' "Lankaren Malak Pipi" was released on its scheduled release date, September 17, 1954. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Lankaren Malak Pipi's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 10 in Ahankara Sthree by Ramaiah Muthuswamy. Going off of the ISRC code of this track, we detected that the origin of this track is from Sri Lanka. Lankaren Malak Pipi is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Lankaren Malak Pipi by Ramaiah Muthuswamy, Latha Walpola, Hugo Fernando, Dharmadasa Walpola is Lento (slowly), since this song has a tempo of 60 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chellammaku Pellanta | J. V. Raghavulu, S. P. Balasubrahmanyam, S. P. Sailaja | D Minor | 7 | 7A | 108 BPM | ||
| Kande Naa Kande | P. B. Sreenivas | E Major | 4 | 12B | 114 BPM | ||
| Hamari Nathuniya Ke Nagawa | Asha Bhosle | G Major | 8 | 9B | 104 BPM | ||
| Dolyamadhale Aansoo Pusati | Sudhir Phadke | F♯ Minor | 2 | 11A | 168 BPM | ||
| Oh Yallalinga | Siddal Patil, Lalitha Chowdal, Revayya Vasthradamath | B♭ Minor | 8 | 3A | 111 BPM | ||
| Maa Je Amar Bhubon Mohini | Amrik Singh Arora | F Major | 4 | 7B | 80 BPM | ||
| Din Je Gelo Helay | Swaraj Roy | F♯ Major | 4 | 2B | 132 BPM | ||
| Onchilla Thotili Koindo | Ramaiah Muthuswamy, Karunaratne Abeysekera, Sujatha Attanayake | E♭ Major | 6 | 5B | 111 BPM | ||
| Mon Keno Mayer Charanchhara | Dhananjay Bhattacharya | A♭ Major | 5 | 4B | 87 BPM | ||
| Aaynate Mukh Dekhbo Na | Aarti Mukherji | F♯ Minor | 4 | 11A | 144 BPM | ||
| Aaha Oho Dil | Basavaraj Narendra, Divya | C Minor | 8 | 5A | 123 BPM | ||
| Oder Mato Bolbo Na Ma | Pannalal Bhattacharya | A♭ Minor | 2 | 1A | 146 BPM | ||
| Ambare dili dili | T M Jayarathna | E Minor | 8 | 9A | 102 BPM | ||
| O Bidhi Amay Kalo Korle Jodi | Bhupen Hazarika | E Minor | 3 | 9A | 72 BPM | ||
| Jumma Chakka (From "Police Lockup") | S. P. Balasubrahmanyam, S. Janaki | A♭ Major | 7 | 4B | 117 BPM | ||
| Adithya Tejave | Dr. Rajkumar | D Major | 6 | 10B | 93 BPM | ||
| Hrudaya Veene | P. B. Sreenivas | G Major | 5 | 9B | 110 BPM | ||
| Kandari Go | Parikshit Bala | D Major | 4 | 10B | 101 BPM | ||
| Chundadi Chatake Che | Praful Dave | B♭ Major | 8 | 6B | 75 BPM | ||
| Chuchuk Chamak Koi | Bhupen Hazarika, Jayanta Hazarika | B Major | 5 | 1B | 181 BPM | ||
| Pyare Baba Mitthe Mittthe Baba | Brahma Kumaris | B♭ Major | 5 | 6B | 147 BPM | ||
| Aruna Udaye Pipunu Mala Se | Ramaiah Muthuswamy, J A Milton Perera, Karunaratne Abeysekera | C Minor | 4 | 5A | 94 BPM | ||
| Mutu Kadulayi | Chandana Liyanarachchi | E♭ Major | 6 | 5B | 128 BPM | ||
| Hanika Yaman Pulli Gono | Ramaiah Muthuswamy, Dharmadasa Walpola, W Benedict Fernando | E♭ Major | 6 | 5B | 93 BPM | ||
| Jai Jai Ganapayya | Parupalli Ranganath | A♭ Minor | 6 | 1A | 80 BPM |