"All the Lies" by Cameron Moody, Rayshaun Thompson had its release date on January 24, 2021. With This song being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Cameron Moody, Rayshaun Thompson's "Immortal Machine (Original Motion Picture Soundtrack)" album is number 6 out of 7. All the Lies is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of All the Lies by Cameron Moody, Rayshaun Thompson to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| First Step (from "Interstellar") | Silent Scores | C Major | 1 | 8B | 139 BPM | ||
| Humanity | Alexandra Harwood | D Major | 0 | 10B | 47 BPM | ||
| Solemn | Michiel van den Bos | C Minor | 2 | 5A | 167 BPM | ||
| Medio Virtus | Sergio Gómez Oliveros, Non Binary, Bellum Sanctus | E♭ Major | 0 | 5B | 85 BPM | ||
| Night Fears | Anne Nikitin | C Minor | 1 | 5A | 138 BPM | ||
| Animos Constantes | Hasta El Final | D♭ Major | 0 | 3B | 86 BPM | ||
| Fellowship | Thomas Newman, Thomas Bowes, London Voices, Ben Parry, Terry Edwards, Grace Davidson, George Doering, Phil Todd, Sonia Slany, Paul Clarvis, Nick Cooper, Andrew Cronshaw | G Minor | 2 | 6A | 81 BPM | ||
| Midnight Boughs (Elderwood Theme) | Steffen Schmidt | D Major | 0 | 10B | 175 BPM | ||
| Something Stupid | Roshan Sani, Mina Mone | B Minor | 2 | 10A | 106 BPM | ||
| Sisters | Ceyran Huseynova, Feirn Mont | D Major | 2 | 10B | 90 BPM | ||
| No More Cane Field | Cameron Moody | C Minor | 1 | 5A | 139 BPM | ||
| Tensions in Cuba | Ashton Gleckman, Michael Frankenberger, Cameron Moody | A♭ Major | 1 | 4B | 138 BPM | ||
| Tote Sonne | Saleh Sarabov, Saleh Sarab | E Major | 1 | 12B | 45 BPM | ||
| Pidiendo Mas | Casualidades Del Destino | E Minor | 4 | 9A | 75 BPM | ||
| Rippled Skies | Antonio Esposito | A Minor | 1 | 8A | 82 BPM | ||
| San Benedicto Island | Paul Leonard-Morgan | A♭ Major | 2 | 4B | 58 BPM | ||
| Comunicados Sin Salida | Ambientes Misticos | C Major | 1 | 8B | 105 BPM | ||
| Different Types | Joel Sandro, Joel | D Major | 2 | 10B | 84 BPM | ||
| Cafe Brown | Renat Mentanus, Renatus | D♭ Major | 2 | 3B | 130 BPM | ||
| Mejoras Repentinas | Sergio Gómez Oliveros, Non Binary, Bellum Sanctus | A Minor | 0 | 8A | 100 BPM | ||
| Dance with Me | Liliya Kumar, Lofi Chills | B♭ Minor | 2 | 3A | 120 BPM | ||
| What Lies Ahead | Jason Solowsky | A Minor | 1 | 8A | 82 BPM | ||
| Situaciones Engañosas | Casualidades Del Destino | E Minor | 3 | 9A | 178 BPM | ||
| Situaciones Problematicas | Casualidades Del Destino | E Minor | 3 | 9A | 178 BPM | ||
| Lonely Nights | Farid Puber | B Major | 2 | 1B | 85 BPM |