Sharon Isbin's 'Five Bagatelles: 3. Alla Cubana' had a release date set for April 1, 1994. With This song being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "Nightshade Rounds". In this album, this song's track order is #3. In terms of popularity, Five Bagatelles: 3. Alla Cubana is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Five Bagatelles: 3. Alla Cubana by Sharon Isbin having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Romanceiro | Edino Krieger, Edelton Gloeden | D Major | 1 | 10B | 97 BPM | ||
| La Catedral: Preludio Saudade | Berta Rojas | B Minor | 1 | 10A | 103 BPM | ||
| La boda de Luis Alonso, o La noche del encierro: Intermezzo (Arr. Kazuhito Yamashita for guitar) | Rafael Aguirre | A Major | 2 | 11B | 108 BPM | ||
| 25 Études, Op. 60: No. 3 in A major. Andantino | Matteo Carcassi, Sam Desmet | A Major | 2 | 11B | 138 BPM | ||
| Vivaldi / Arr. Pujol: Guitar Concerto in A Major, RV 82: III. Allegro | Antonio Vivaldi, Sharon Isbin, Howard Griffiths, Zürcher Kammerorchester | E Major | 2 | 12B | 117 BPM | ||
| Duarte: Appalachian Dreams, Op. 121: IV. Putney Hymn | John W. Duarte, Sharon Isbin | E Minor | 0 | 9A | 114 BPM | ||
| Suite compostelana: V. Cancion | Federico Mompou, Scott Tennant | A Minor | 0 | 8A | 82 BPM | ||
| Canción y danza No. 1 | Antonio Ruiz Pipó, Mabel Millán | G Major | 1 | 9B | 112 BPM | ||
| Les guitares bien tempérées, Preludes and Fugues, Op. 199: Fugue No. 3 in A Minor (the Well-Tempered Guitars) | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | F Major | 2 | 7B | 104 BPM | ||
| Suite Compostelana: I. Preludio | Federico Mompou, Antigoni Goni | G Major | 0 | 9B | 100 BPM | ||
| Duarte: Appalachian Dreams, Op. 121: II. Black is the color of my true love's hair | John W. Duarte, Sharon Isbin | E Minor | 0 | 9A | 137 BPM | ||
| Tango en skai | Roland Dyens, Jason Vieaux | A Minor | 1 | 8A | 61 BPM | ||
| Nocturnal, Op.70: III. Restless (Inquieto) | Sharon Isbin | D Major | 0 | 10B | 142 BPM | ||
| Misionera (Arr. J. Morel for Guitar) | Fernando Bustamante, Celil Refik Kaya | C Minor | 0 | 5A | 128 BPM | ||
| Traditional / Arr. Barbosa-Lima: The Nightingale | Traditional, Sharon Isbin, Susanne Mentzer | C Major | 0 | 8B | 77 BPM | ||
| Sonata, Op. 61: II. Andante | Joaquín Turina, Jan Depreter | A Minor | 0 | 8A | 106 BPM | ||
| Cradle Song | Sergio Assad | D Major | 1 | 10B | 89 BPM | ||
| Regalito | Alison Brown, Sharon Isbin | E Major | 4 | 12B | 98 BPM | ||
| Guitar Suite No. 1: III. Into a Clearing | Peter Scott Lewis | G Minor | 0 | 6A | 94 BPM | ||
| La Soledad | Samuel Diz, Avelina Valladares | G Major | 9 | 9B | 136 BPM | ||
| Romance del los Pinos | Federico Moreno Torroba, Hannah Murphy | E Major | 1 | 12B | 167 BPM | ||
| Fugue From Violin Sonata No. 1 | Johann Sebastian Bach, Christopher Parkening | A Major | 1 | 11B | 77 BPM | ||
| Somewhere Over the Rainbow | Harold Arlen, Yuval Te’eni | G Major | 0 | 9B | 77 BPM | ||
| Vals (Opus 8, No. 4) | Charlie Byrd | G Major | 0 | 9B | 79 BPM | ||
| Preludio Fuga e Vivace: I. Preludio | Sérgio Assad, Plínio Fernandes | D Major | 2 | 10B | 100 BPM |