T. S. Ranganathan's 'Saraswati Stutihi' had a release date set for January 1, 2001. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Saraswati Stutihi's duration is considered a little bit shorter than the average duration of a typical track. The song is number 24 out of 57 in Daily Prayers - Nitya Paaraayana Stotram by T. S. Ranganathan. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Saraswati Stutihi is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Saraswati Stutihi by T. S. Ranganathan is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mahaalakshmi Ashtakam | M. S. Sheela | A Major | 4 | 11B | 135 BPM | ||
| Sri Lakshmi Narasimhashtakam | Puttur Narasimha Nayak | A♭ Major | 6 | 4B | 150 BPM | ||
| Nadi Nadi Girigoguva | Rajashekhar, Krishnegowda, Vijay Ygnanarayana | F Major | 5 | 7B | 123 BPM | ||
| Sankata Nashana Stotram | T. S. Ranganathan | B♭ Major | 4 | 6B | 120 BPM | ||
| Sri Varahi Devi Stavam | J. Bhakatavatsalam | D Major | 5 | 10B | 86 BPM | ||
| Agilam Potrum | Prabhakar | D Minor | 4 | 7A | 48 BPM | ||
| Thamaraiyin Mattu | V2S2 | A♭ Major | 5 | 4B | 110 BPM | ||
| Rathri Suktham | J. Bhaktavatsalam, Ganesan, Na | C Major | 6 | 8B | 120 BPM | ||
| Ratri Suktam | T.Sivaprasad, R.V. Sathyanarayanamurthy | B Major | 4 | 1B | 151 BPM | ||
| Runa Vimochana Angaraka Sthosthram | Banglore Sisters | F♯ Minor | 4 | 11A | 76 BPM | ||
| Velava Velava Vel Muruga Va - Adi | Udaiyalur Kalyanaraman | A♭ Major | 10 | 4B | 103 BPM | ||
| Hari Om Shrichate Laxmi | Pramod Medhi | A♭ Minor | 3 | 1A | 88 BPM | ||
| Aadhi Sivan Vanthan | Karan, Harish, Anuradha Sriram | G Minor | 2 | 6A | 88 BPM | ||
| Diwakara | Bombay Jayashri, Muthuswami Dikshitar | F Minor | 5 | 4A | 168 BPM | ||
| Shree Raghavendra Swami Ashtottara Shatanamavali | Ravi Prakash | D Major | 3 | 10B | 111 BPM | ||
| Navagaraha Mantram | T.Sivaprasad, R.V. Sathyanarayanamurthy | A Major | 5 | 11B | 93 BPM | ||
| Subramanya Ashtakam | Hari Achuta Rama Sastry | B Minor | 3 | 10A | 76 BPM | ||
| Mantra Pushpam | Sri Hari Atchutha Rama Sastry | B♭ Major | 4 | 6B | 105 BPM | ||
| Yathirai Pathu | SIVA DAMODHARAN AYYA | C Minor | 8 | 5A | 100 BPM | ||
| Sri Saibaba Ashtottarasaranamavali | Parupalli Sri Ranganath | B♭ Major | 5 | 6B | 114 BPM | ||
| Sri Varahi Kavacham | Bhandhavi | A Major | 2 | 11B | 109 BPM | ||
| Poorva Nayasam | J. Bhaktavatsalam, Ganesan, Na | C Major | 7 | 8B | 127 BPM | ||
| Guru Kavacha Sthosthram | Banglore Sisters | B Minor | 4 | 10A | 78 BPM | ||
| Sambo Sankara | Udaiyalur Kalyanaraman | E♭ Major | 2 | 5B | 108 BPM | ||
| Sai Dhuni | Anuradha Paudwal | D Major | 4 | 10B | 79 BPM |