"The Intersection Scene - Original Motion Picture Soundtrack" by John Williams had its release date on February 4, 2025. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 42 out of 50 in Film Music of John Williams by John Williams. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, The Intersection Scene - Original Motion Picture Soundtrack's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Intersection Scene - Original Motion Picture Soundtrack by John Williams is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Arkham Knight (Main Theme) | David Buckley | C Minor | 3 | 5A | 111 BPM | ||
| Determined Preparation | Chris Trent | E♭ Major | 4 | 5B | 122 BPM | ||
| Thrawn's Arrival | Kevin Kiner | G Major | 2 | 9B | 124 BPM | ||
| Mission Briefing Theme | Joris de Man | G Major | 3 | 9B | 140 BPM | ||
| The Compys Dine - From "The Lost World: Jurassic Park" Soundtrack | John Williams | D♭ Major | 1 | 3B | 91 BPM | ||
| Goja V | Jeff Russo | D Major | 2 | 10B | 180 BPM | ||
| Tasman Sea | Junkie XL | F Major | 5 | 7B | 134 BPM | ||
| Legacy | Leopold Ross | G Major | 2 | 9B | 60 BPM | ||
| It's Over Now | Kevin Kiner | G Major | 4 | 9B | 76 BPM | ||
| Tidal Wave | Harald Kloser | F Major | 5 | 7B | 145 BPM | ||
| Godzilla-1.0 Portent | Naoki Sato | E Minor | 1 | 9A | 65 BPM | ||
| Primeval Theme | Dominik Scherrer | D Minor | 5 | 7A | 125 BPM | ||
| 24 Symphonic Suite | Sean Callery | D Minor | 3 | 7A | 124 BPM | ||
| The Creation | Patrick Doyle | E Major | 3 | 12B | 187 BPM | ||
| The Return To Boston - Original Motion Picture Soundtrack | John Williams | E Minor | 1 | 9A | 113 BPM | ||
| The Ferry Scene - Original Motion Picture Soundtrack | John Williams | F Minor | 4 | 4A | 100 BPM | ||
| Solomon Lane | Joe Kraemer | A Minor | 1 | 8A | 86 BPM | ||
| Death of Sirius | Nicholas Hooper | C Minor | 3 | 5A | 105 BPM | ||
| The Room of Requirements | Nicholas Hooper | C Major | 1 | 8B | 156 BPM | ||
| Battle in Boston | Bear McCreary | A♭ Major | 4 | 4B | 141 BPM | ||
| Into the Hole - Score Version | John Barry | D Minor | 3 | 7A | 93 BPM | ||
| Huff Duff | Blake Neely | G Major | 6 | 9B | 135 BPM | ||
| The Story Continues | Patrick Doyle | C Major | 3 | 8B | 124 BPM | ||
| Caesar Says No | Patrick Doyle | F Major | 1 | 7B | 60 BPM | ||
| The Hunt - From "The Lost World: Jurassic Park" Soundtrack | John Williams | D Minor | 5 | 7A | 125 BPM |