Ramesh Parmar's ' "Halo Hansla Bhram Dham Maa" was released on its scheduled release date, 2015. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Ramesh Parmar's "Hanslo Motida Chare, Vol. 2" album is number 6 out of 7. On top of that, India appears to be the country where this track was created. Based on our statistics, Halo Hansla Bhram Dham Maa's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Halo Hansla Bhram Dham Maa by Ramesh Parmar to be Allegro (fast, quick, and bright) because the track has a tempo of 147 BPM, a half-time of 74BPM, and a double-time of 294 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hamaro Dhan Radha Shree Radha Shree Radha | Shakti Singh | D♭ Major | 8 | 3B | 90 BPM | ||
| Charo Taraf Dekha Part 5 | Swami Aadhar Chaitanya | A Major | 5 | 11B | 132 BPM | ||
| Lad O Lad Ge O | Dukalu Yadav | B♭ Major | 9 | 6B | 170 BPM | ||
| Mere Dil Ko Chura Ke Le Gaya | Baba Rasika Pagal | A Major | 9 | 11B | 135 BPM | ||
| Sai Tu Meri Fariyad Sun Sai | Hamsar Hayat | F♯ Minor | 4 | 11A | 74 BPM | ||
| Kanifnathala Vandan Karu | Chhagan Chougule | E♭ Minor | 7 | 2A | 103 BPM | ||
| Sai Kanhaiya Sai Kanhaiya | Sri Sathya Sai Bhajans | E Major | 5 | 12B | 132 BPM | ||
| सन्त भजनानंद जी भजन मारवाड़ी भजन | Sant Bhajana Nand | A Major | 9 | 11B | 108 BPM | ||
| चामड़े की पुतली भजन कर ले | Gulab Nathji | A♭ Minor | 9 | 1A | 109 BPM | ||
| Humar Te Utarya Vadiye Re | Mathurbhai Kanjariya, Ramesh Parmar | F♯ Major | 7 | 2B | 145 BPM | ||
| Satam Ro Melo | Shyam Paliwal | F Minor | 7 | 4A | 102 BPM | ||
| Mhe To Lulta Lulta Aaungi | Gopal Bajaj | B♭ Major | 9 | 6B | 81 BPM | ||
| Govind Lagla Chhand Manala | Radha Krishna Maharaj | D♭ Major | 9 | 3B | 81 BPM | ||
| Eadha Rani Ka Naam | Baba Rasika Pagal | E♭ Major | 7 | 5B | 175 BPM | ||
| Muje Meri Masti Kaha Leke Aai | Niranjan Pandya | A Minor | 10 | 8A | 176 BPM | ||
| Suni Deli Ne Suna Dayra | Mathurbhai Kanjariya, Ramesh Parmar | G Major | 8 | 9B | 118 BPM | ||
| Tara Ghada Utha De | Kosinder, Rishipal, Karampal, Satpal Dosa, Ramavtar, Manju, Sunita Panchal | B♭ Minor | 9 | 3A | 88 BPM | ||
| Gajanand Dev | Nimbaram Dewasi Party | A♭ Major | 8 | 4B | 106 BPM | ||
| Pathhar Ki Radha Pyaari | Manoj Sharma Gwalior | C Minor | 9 | 5A | 99 BPM | ||
| Radha Chalo Ji Baug Mein | Gopal Bajaj | B♭ Major | 9 | 6B | 120 BPM | ||
| Chahe Kitna Kamalo Bande Doller Pound Mein | Gaurangi Gauri Ji | D♭ Major | 8 | 3B | 150 BPM | ||
| E Re Marag Nathi Jova Re Kbir Kahe | Ramesh Parmar | G Minor | 7 | 6A | 80 BPM | ||
| Karuna Sagara Prema Swaroopa | Sri Sathya Sai Bhajans | B♭ Major | 5 | 6B | 96 BPM | ||
| Kalyug Ki Nare Ramdhai Sabro Dharam Savare Bundeli | Ramesh Vishwakarma | D Major | 7 | 10B | 118 BPM | ||
| Jab Teri Doli Nikali Jayegi | Pandit Gaurangi Gauri Ji | F Minor | 7 | 4A | 137 BPM |