- BPM
- 173
- Key
- E♭ Major
- Camelot
- 5B
Strauss, R: 5 Lieder, Op. 48: No. 4, Winterweihe (Version with Orchestra) by Richard Strauss, Diana Damrau, Christian Thielemann, Munich Philharmonic Orchestra Song Details
"Strauss, R: 5 Lieder, Op. 48: No. 4, Winterweihe (Version with Orchestra)" by Richard Strauss, Diana Damrau, Christian Thielemann, Munich Philharmonic Orchestra had its release date on January 17, 2011. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Strauss, R: 5 Lieder, Op. 48: No. 4, Winterweihe (Version with Orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Strauss : Lieder". In this album, this song's track order is #4. The popularity of Strauss, R: 5 Lieder, Op. 48: No. 4, Winterweihe (Version with Orchestra) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Strauss, R: 5 Lieder, Op. 48: No. 4, Winterweihe (Version with Orchestra) by Richard Strauss, Diana Damrau, Christian Thielemann, Munich Philharmonic Orchestra having a BPM of 173 with a half-time of 86 BPM and a double-time of 346 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
Music Key
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 5%
- Loudness
- -26.727 dB
- Acousticness
- 97%
- Danceability
- 19%
- Energy
- 5%
- Instrumentalness
- 0%
- Liveness
- 10%
- Loudness
- 55%
- Speechiness
- 5%
- Valence
- 5%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Petite messe solennelle: Agnus Dei | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Delphine Galou | C Major | 1 | 8B | 74 BPM | |
 | Amo | Beloxxy | A♭ Major | 1 | 4B | 97 BPM | |
 | Catalani: La Wally, Act 1: Aria. "Ebben? Ne andrò lontana" (La Wally) | Alfredo Catalani, Barbara Hendricks, Paavo Järvi, Orchestre Philharmonique de Radio France | E Major | 2 | 12B | 86 BPM | |
 | Mendelssohn: 6 Gesänge, Op. 19a: No. 3, Winterlied, MWV K72 | Felix Mendelssohn, Barbara Bonney, Geoffrey Parsons | A♭ Major | 0 | 4B | 70 BPM | |
 | Humperdinck : Hänsel und Gretel : Act 3 "Wo bin ich? Wach' ich?" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 91 BPM | |
 | Cäcilie | Richard Strauss, Anna Netrebko | A Major | 2 | 11B | 65 BPM | |
 | The Dream of Gerontius, Op. 38, Pt. 2: XIII. Softly and Gently "Angel's Farewell" | Edward Elgar, Karen Cargill, Huddersfield Choral Society, RNCM Chamber Choir, The Orchestra Of Opera North, Martyn Brabbins | D♭ Minor | 1 | 12A | 138 BPM | |
 | Rodelinda / Act 2: Ritorna, oh caro e dolce mio tesoro | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | F♯ Major | 1 | 2B | 72 BPM | |
 | Ein deutsches Requiem, Op. 45: V. Soprano and Chorus. Ihr habt nun Traurigkeit | Johannes Brahms, Raphael Pichon, Sabine Devieilhe, Ensemble Pygmalion | G Major | 1 | 9B | 127 BPM | |
 | Voi, che sapete (Le nozze di Figaro) | Rise Stevens | B♭ Major | 1 | 6B | 70 BPM | |
 | La Favorite / Act 3: Oh! Mon Fernand - Excerpt | Gaetano Donizetti, Elina Garanca, Filarmonica del Teatro Comunale di Bologna, Yves Abel | C Major | 0 | 8B | 125 BPM | |
 | Korngold: 6 Einfache Lieder, Op. 9: No. 1, Schneeglöckchen | Erich Wolfgang Korngold, Barbara Hendricks, Franz Welser-Möst, Philadelphia Orchestra | F♯ Minor | 2 | 11A | 66 BPM | |
 | Liszt: 3 Sonetti di Petrarca, S. 270: III. "I' vidi in terra angelici costumi" | Franz Liszt, Diana Damrau/Helmut Deutsch | A♭ Major | 0 | 4B | 66 BPM | |
 | Fauré: Requiem, Op. 48: I. Introït et Kyrie | Gabriel Fauré, Paavo Järvi, Choeur de l'Orchestre de Paris, Orchestre de Paris | D Minor | 0 | 7A | 72 BPM | |
 | Carmen, Act I: Scene & Chorus. Sur la place chacun passe | Georges Bizet, Mikael Melbye, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | B♭ Major | 0 | 6B | 97 BPM | |
 | Emily — No Prisoner Be: No. 4, Again — his voice is at the door | Kevin Puts, Time For Three, Joyce DiDonato | D♭ Minor | 1 | 12A | 138 BPM | |
 | Macbeth / Act 4: Una macchia è qui tuttora | Giuseppe Verdi, Stefania Malagu, Shirley Verrett, Carlo Zardo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | D♭ Major | 0 | 3B | 82 BPM | |
 | Stabat Mater, Op. 58: IV. Fac, ut ardeat cor meum (Largo) | Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic, Florian Boesch | B♭ Minor | 0 | 3A | 79 BPM | |
 | Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Romance: "Der Vollmond strahlt auf Bergeshöh'n" | Franz Schubert, Elly Ameling, Gewandhausorchester Leipzig, Kurt Masur | F Major | 0 | 7B | 76 BPM | |
 | Delibes: Lakmé, Act 1: Chœur et prière. "Blanche Dourga" (Lakmé, Chœur, Nilakantha) | Léo Delibes, Michel Plasson, Choeur Du Capitole De Toulouse, José van Dam, Natalie Dessay, Orchestre Du Capitole De Toulouse | B♭ Minor | 0 | 3A | 73 BPM | |
 | Beethoven: Fidelio, Op. 72, Act 1: Quartett. "Mir ist so wunderbar" (Marzelline, Leonore, Jaquino, Rocco) | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan, Helen Donath, Helga Dernesch, Horst Laubenthal, Karl Ridderbusch | G Major | 1 | 9B | 74 BPM | |
 | L'Enfance du Christ, Op. 25, Première Partie, Le songe d'Hérode: I. Récit "Dans la crèche, en ce temps" | Hector Berlioz, Philippe Herreweghe, La Chapelle Royale, Orchestre des Champs-Élysées, Collegium Vocale Gent, Paul Agnew, Joseph Moor | C Minor | 0 | 5A | 165 BPM | |
 | Sea Pictures, Op. 37: No. 2, In Haven (Capri) | Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | C Major | 1 | 8B | 86 BPM | |
 | La Damnation de Faust, Op. 24, H 111 / Pt. 1: Scène 1. "Le vieil hiver a fait place au printemps" | Hector Berlioz, Kenneth Riegel, Chicago Symphony Orchestra, Sir Georg Solti | G Major | 1 | 9B | 75 BPM | |
 | Oh pourquoi donc, S. 301a | Franz Liszt, Katharina Konradi, Daniel Heide | E Major | 0 | 12B | 67 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records