On March 15, 2015, the song "Main Hoon Sharan Mein Teri" was released by Rakesh Kala. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rakesh Kala, Vandana Bhardwaj's "Main Hoon Sharan Mein Teri" album is number 3 out of 6. On top of that, India appears to be the country where this track was created. Based on our statistics, Main Hoon Sharan Mein Teri's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Main Hoon Sharan Mein Teri by Rakesh Kala to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sitaram Sitaram | Morari Bapu | B♭ Major | 7 | 6B | 90 BPM | ||
| Aali Ri Mohe Laage Laage Vrindavan Neeko | Madhavas Rock Band | C Major | 9 | 8B | 99 BPM | ||
| Jai Shiv Omkara | Manhar Udhas | A♭ Major | 7 | 4B | 91 BPM | ||
| Shri Vilvashtkam | Pujya Bhaishree Rameshbhai Ojha | D♭ Major | 4 | 3B | 122 BPM | ||
| Hey Dukh Bhanjan Maruti Nandan | Anup Jalota, Chandra Kamal | A Major | 6 | 11B | 87 BPM | ||
| Bajarangi Laye Khabariya Ram Aate Nagariya | Pujya Rajan Ji Official | E♭ Major | 6 | 5B | 128 BPM | ||
| Hari Naam Nahi To Jeena Kiya Re | Prem Bhushan Maharaj | E Minor | 5 | 9A | 86 BPM | ||
| Rama Rama Ratate Ratate Beeti (Live) | Pujya Prembhushanji Maharaj | B♭ Minor | 7 | 3A | 135 BPM | ||
| Siddha Kunjika Stotram | SHRI PREM PRAKASH DUBEY | F♯ Major | 4 | 2B | 179 BPM | ||
| Magey Rahila Kasara Ghat Dharli Shirdichi Vaat | Sai bhakti | F♯ Minor | 9 | 11A | 170 BPM | ||
| Kaise Jiyu Mein Radha Rani | K. S. Chithra, Vichitra | E♭ Minor | 7 | 2A | 130 BPM | ||
| Shiv Shankar Maheshwaram | Mridul Krishan Shastri | A♭ Major | 6 | 4B | 79 BPM | ||
| Mera Apki Kripa Se | Chetna | F♯ Major | 6 | 2B | 100 BPM | ||
| Nav Grah Mantra | Prem Prakash Dubey | A♭ Minor | 7 | 1A | 96 BPM | ||
| Sach Bata De Bihari Se Pyar Kitna | Prem Bhushan Maharaj | D Major | 5 | 10B | 139 BPM | ||
| Mein Chal Tere Dham Aaya | Rakesh Kala | F Major | 9 | 7B | 96 BPM | ||
| Sabse Sundar Sapne Ram | Kumar Vishwas | A♭ Minor | 6 | 1A | 154 BPM | ||
| Shree Shiv Manas Pooja | Pujya Bhaishree Rameshbhai Ojha | E♭ Major | 4 | 5B | 141 BPM | ||
| Sare Tirth Dham | Sadhvi Purnima | C Major | 7 | 8B | 120 BPM | ||
| Subah Sawere Leke Tera Naam Prabhu | Isha, Muskan, Shital, Annu, Manisha | A♭ Minor | 6 | 1A | 121 BPM | ||
| Sawariya Hai Seth Mhari Radha Ji | Niranjan Sarda, Pushpa Banerjee | A Major | 7 | 11B | 141 BPM | ||
| Aevu Shree Vallabh Prabhunu Naam | Master Rana | C Minor | 5 | 5A | 144 BPM | ||
| Radhe Radhe Rato Chale Aayenge Bihari | Sonal Gadhvi | D♭ Major | 9 | 3B | 142 BPM | ||
| Aao Aao Gajanan Aao | Rakesh Kala | D♭ Major | 9 | 3B | 108 BPM | ||
| Maa Sun Le Pukaar | Babla Mehta | G Minor | 6 | 6A | 173 BPM |