"Bottle City" by Arsonists Get All The Girls had its release date on August 1, 2013. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Bottle City's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Arsonists Get All The Girls's "Listen to the Color" album is number 3 out of 15. In terms of popularity, Bottle City is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bottle City by Arsonists Get All The Girls to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| KILL EVERYONE | xGUMBYx | F♯ Major | 9 | 2B | 105 BPM | ||
| Boy Oh Boy, I Ain't No Wiz Kid | Duck Duck Goose | F Major | 10 | 7B | 87 BPM | ||
| Embalming The Masses | Rose Funeral | C Minor | 9 | 5A | 111 BPM | ||
| Articulation | Abacabb | B Minor | 10 | 10A | 121 BPM | ||
| Count Your Lies | xAFBx | D♭ Major | 9 | 3B | 86 BPM | ||
| Elle Ess Dee | Salt The Wound | F♯ Major | 10 | 2B | 150 BPM | ||
| Comfortable With Corpses | My Bitter End | F♯ Minor | 10 | 11A | 96 BPM | ||
| Catharsis for the Stillborn | Disfigured Elegance | F♯ Major | 10 | 2B | 130 BPM | ||
| If You Want To Blame Us For Something Wrong, Please Abuse This Song! | War From A Harlots Mouth | C Major | 9 | 8B | 111 BPM | ||
| Cannibal Holocaust | Belie My Burial | A♭ Major | 9 | 4B | 97 BPM | ||
| Dear Diary | We Are the End | D♭ Major | 9 | 3B | 132 BPM | ||
| Gored Out of the Influence | Damage Over Time, Girl Of Glass | D♭ Minor | 9 | 12A | 115 BPM | ||
| It was a Memoir | Arsonists Get All The Girls | F Minor | 8 | 4A | 130 BPM | ||
| Harvesting the Deceased | Despised Icon | C Major | 10 | 8B | 84 BPM | ||
| Just out of Curiosity, Are Your Parents Siblings? | See You Next Tuesday | D♭ Major | 10 | 3B | 97 BPM | ||
| Pray for an Afterlife | The Juliet Massacre | D♭ Major | 10 | 3B | 110 BPM | ||
| Discordant | Underneath The Gun | E♭ Minor | 10 | 2A | 110 BPM | ||
| MVP | Despised Icon | G Major | 9 | 9B | 140 BPM | ||
| 65 Geneva Drive | Dividing The Masses | D♭ Major | 9 | 3B | 100 BPM | ||
| If These Bullets Could Talk | The Number Twelve Looks Like You | A Minor | 7 | 8A | 104 BPM | ||
| Straight In Your Throat | Her Demise My Rise | F Major | 10 | 7B | 135 BPM | ||
| Collaborating Like Killers | Carnifex | D♭ Minor | 10 | 12A | 100 BPM | ||
| Sledge Hammer Facelift | Rose Funeral | E Minor | 10 | 9A | 112 BPM | ||
| The Most Embarrassing Part About Hardcore Dancing Is Telling Your Parents You're Gay | Ennui Breathes Malice | F♯ Major | 9 | 2B | 101 BPM | ||
| An Awakening of Revenants | A Black Rose Burial | D♭ Major | 10 | 3B | 106 BPM |