Roy Wood's 'Why Does Such a Pretty Girl Sing Those Sad Songs' had a release date set for January 1, 1975. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Roy Wood's "Mustard (Expanded Edition)" album is number 5 out of 15. On top of that, United Kingdom appears to be the country where this track was created. Why Does Such a Pretty Girl Sing Those Sad Songs is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Why Does Such a Pretty Girl Sing Those Sad Songs by Roy Wood to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Can Hear The Grass Grow | The Move | D Major | 9 | 10B | 143 BPM | ||
| Really Wanted You | Emitt Rhodes | C Major | 8 | 8B | 127 BPM | ||
| Oh Effendi | 10cc | D Major | 8 | 10B | 100 BPM | ||
| Woman Of Mine | Dean Friedman | G Major | 5 | 9B | 140 BPM | ||
| Jump in My Car | Chris Spedding | D Major | 6 | 10B | 113 BPM | ||
| Imposters of Life's Magazine | The Idle Race | B Major | 7 | 1B | 137 BPM | ||
| Schoolgirl | Argent | C Major | 5 | 8B | 119 BPM | ||
| Ships Don't Disappear (Do They?) | 10cc | D♭ Major | 9 | 3B | 154 BPM | ||
| Tighter - 1970 Version | Paul Revere & The Raiders, The Raiders | A Major | 9 | 11B | 94 BPM | ||
| Down Down Down | Dave Edmunds | B♭ Major | 8 | 6B | 159 BPM | ||
| Meet Me at the Jailhouse - 2006 Remaster | Wizzard | G Major | 8 | 9B | 142 BPM | ||
| Billy Porter | Mick Ronson | F Major | 8 | 7B | 139 BPM | ||
| Space Clown | Jobriath | E Major | 5 | 12B | 128 BPM | ||
| Forever - Edit | Roy Wood | C Major | 7 | 8B | 145 BPM | ||
| God Gave Rock and Roll to You | Argent | G Major | 3 | 9B | 70 BPM | ||
| Only After Dark | Mick Ronson | E Minor | 6 | 9A | 145 BPM | ||
| Down To Zero - 2006 Remastered Version | Roy Wood | A Major | 9 | 11B | 161 BPM | ||
| Strange Little Girl | Sad Cafe | B Minor | 6 | 10A | 115 BPM | ||
| Let's Pretend | Raspberries | C Major | 8 | 8B | 111 BPM | ||
| Human Cannonball | Roy Wood, Wizzard | B♭ Major | 2 | 6B | 112 BPM | ||
| Take It Home | Utopia | A Major | 9 | 11B | 136 BPM | ||
| What a Way to End It All | Deaf School | A Major | 7 | 11B | 201 BPM | ||
| Hold Back The Night | Graham Parker & The Rumour | A Major | 7 | 11B | 134 BPM | ||
| Burn Baby Burn | Hudson-Ford | B♭ Minor | 7 | 3A | 135 BPM | ||
| Honaloochie Boogie | Mott The Hoople | C Major | 8 | 8B | 120 BPM |