Terry Disley's ' "Late Night Rendezvous" was released on its scheduled release date, January 27, 2025. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Late Night Rendezvous and no other songs are present in the album, we classify this track as a single. On top of that, United States appears to be the country where this track was created. Late Night Rendezvous is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Late Night Rendezvous by Terry Disley to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| semi-drunk | is it sunday? | B♭ Minor | 3 | 3A | 82 BPM | ||
| Inside out | Carlos Camilo | E Minor | 7 | 9A | 106 BPM | ||
| WALKIN' TALL | Djsaxlondon | E♭ Minor | 6 | 2A | 110 BPM | ||
| Kayla's Key | Kayla Waters | D♭ Major | 5 | 3B | 82 BPM | ||
| Echoes | Steve Cole | F Minor | 6 | 4A | 90 BPM | ||
| Deja Gruuv | Brian Clay | C Minor | 5 | 5A | 196 BPM | ||
| Pasarela 5 | Yan Karlos AVH | D♭ Major | 6 | 3B | 110 BPM | ||
| Wednesday | Rob Mullins | C Minor | 6 | 5A | 92 BPM | ||
| Sassy | Drassky | E Minor | 7 | 9A | 106 BPM | ||
| Joy Jam - Radio Edit | The Allen Carman Project, Phillippe Saisse | A Minor | 8 | 8A | 102 BPM | ||
| LA to KC | Rick Habana, Blair Bryant | F♯ Major | 7 | 2B | 100 BPM | ||
| Let's Take a Ride | Nicholas Cole | B♭ Minor | 6 | 3A | 91 BPM | ||
| Fancy Footwork | Ragan Whiteside | B Minor | 7 | 10A | 86 BPM | ||
| Make It Last | Michael Broening | E Minor | 7 | 9A | 106 BPM | ||
| Sugarcube Dissolve | Roman T. | A Minor | 6 | 8A | 94 BPM | ||
| Sea & Sand | Terry Disley | D Minor | 4 | 7A | 158 BPM | ||
| The Diamond | Steve Bach, Alisha Pattillo | G Minor | 6 | 6A | 85 BPM | ||
| Remember the Time | Greg Manning | A♭ Major | 8 | 4B | 110 BPM | ||
| The Real McCord | Terry Disley | E♭ Major | 7 | 5B | 120 BPM | ||
| Coral Street | Marina Lounge | G Major | 6 | 9B | 95 BPM | ||
| Fawnlight | OLIVYN | F Minor | 6 | 4A | 166 BPM | ||
| Still Never Enough | Lisa Addeo | F Minor | 6 | 4A | 100 BPM | ||
| Ghost House - Radio Edit | tonBalance | B♭ Minor | 8 | 3A | 90 BPM | ||
| Tijuana Tour Bus | Terry Disley | G Major | 7 | 9B | 93 BPM | ||
| Slapback | Slim Gambill | E Minor | 7 | 9A | 106 BPM |