"Abandoned Places" by Sergio Díaz De Rojas had its release date on December 5, 2025. With This song being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 12 in Forgotten Fragments by Sergio Díaz De Rojas. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Based on our statistics, Abandoned Places's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Abandoned Places by Sergio Díaz De Rojas is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Silent Witness | Jef Martens | D♭ Minor | 0 | 12A | 101 BPM | ||
| Vogelsanger I | Sergio Díaz De Rojas, Hollie Kenniff | E♭ Minor | 0 | 2A | 129 BPM | ||
| Interlude: Bardo | Six Missing, Patrik Berg Almkvisth | B Major | 2 | 1B | 134 BPM | ||
| maintain | Southfields | D Major | 1 | 10B | 73 BPM | ||
| Where We Rest | Jef Martens | B Major | 0 | 1B | 129 BPM | ||
| Birch Forest - Reinvented | Sergio Díaz De Rojas, John Hayes | E♭ Minor | 5 | 2A | 200 BPM | ||
| Can I read life as a book? | Sergio Díaz De Rojas | F Major | 1 | 7B | 110 BPM | ||
| The Midnight Plaza | Trevor Kowalski | D Major | 0 | 10B | 179 BPM | ||
| Gleann Uaine | La Louve | B♭ Major | 1 | 6B | 145 BPM | ||
| Wildflower Drift | Jamie Wilder, WotElse, JD Wilder | E Major | 1 | 12B | 140 BPM | ||
| dreaming eastward | Antarctic Wastelands, Dear Gravity | C Major | 0 | 8B | 68 BPM | ||
| Monet's Water Lillies | Ron Lopata | G Major | 1 | 9B | 136 BPM | ||
| Eyes | Nikita Kondrashev | A♭ Major | 2 | 4B | 85 BPM | ||
| Soon to come | Marius Nitzbon | E Major | 1 | 12B | 107 BPM | ||
| Take 2 - Traces | Illuminine | D♭ Major | 0 | 3B | 72 BPM | ||
| At Least Now We Talk | Alex Kozobolis | D Minor | 2 | 7A | 122 BPM | ||
| Developments 1: Forms | Six Missing, Patrik Berg Almkvisth | E♭ Minor | 0 | 2A | 66 BPM | ||
| Like Silver (Nangkartshang) | Patrik Berg Almkvisth | C Major | 1 | 8B | 134 BPM | ||
| Ventspils Visit | Marius Nitzbon | B Major | 0 | 1B | 76 BPM | ||
| Home Again | Farkosten, Strengevev | E♭ Minor | 0 | 2A | 152 BPM | ||
| I’ve Been Here Before | Snorri Hallgrímsson | B♭ Major | 1 | 6B | 71 BPM | ||
| They Both Die at the End | Isla Thorne | D Minor | 1 | 7A | 120 BPM | ||
| The Moon Song | Sergio Díaz De Rojas | D Minor | 0 | 7A | 89 BPM | ||
| Lifeform | Alexandra Hamilton-Ayres | G Minor | 2 | 6A | 140 BPM | ||
| Two Hearts In New Zealand | Cécile Seraud | A Minor | 1 | 8A | 111 BPM |