Jon Danforth's 'Sadie Willow Lane' had a release date set for February 18, 2022. The duration of This song is about 3 minutes long, at 3:21. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 9 in Beginning and End by Jon Danforth. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Sadie Willow Lane is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sadie Willow Lane by Jon Danforth is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 5/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hold the Door (Live) | Ross Newell | C Major | 2 | 8B | 126 BPM | ||
| Don't Really Cry Anymore | Beggars and Outlaws, Aaron Pile | E Major | 4 | 12B | 98 BPM | ||
| panic | Luis Sharp | B♭ Major | 2 | 6B | 83 BPM | ||
| Never Say Never | Max Gomez | B♭ Major | 4 | 6B | 118 BPM | ||
| I Want You | Colourshop | B Major | 6 | 1B | 95 BPM | ||
| Juliana | Marco De Luca | D♭ Major | 5 | 3B | 74 BPM | ||
| Can't Stay Here | Jon Danforth | D Major | 5 | 10B | 106 BPM | ||
| What to Do | Buck Wilder | F Major | 4 | 7B | 76 BPM | ||
| Lost Child | Driftwood | D Major | 6 | 10B | 75 BPM | ||
| To Whatever Comes After | Jon Danforth | C Major | 4 | 8B | 150 BPM | ||
| Into The Empty White | Ari Hest | G Major | 3 | 9B | 121 BPM | ||
| Stay Another Day | Jason Andrew Griffith, Melyssa Lee | E Major | 6 | 12B | 94 BPM | ||
| Worn Down Woman | Zach Torres | E Major | 4 | 12B | 84 BPM | ||
| Ten Miles North | Mitch Fossier | D Major | 2 | 10B | 142 BPM | ||
| Lonelier Than Me | Driveway Thriftdwellers | G Major | 5 | 9B | 138 BPM | ||
| Amazing Incredible Things | Aaron Espe | C Major | 3 | 8B | 130 BPM | ||
| Reveal | Rhondarisris | A♭ Major | 3 | 4B | 106 BPM | ||
| Bye Bye Baby | Dave Long | B Major | 3 | 1B | 83 BPM | ||
| Polyhymnia | Eddie Berman | B♭ Major | 1 | 6B | 131 BPM | ||
| Part of Me | Good Old War | A♭ Major | 4 | 4B | 79 BPM | ||
| Never Go Home Again | Ric Neale | F Major | 4 | 7B | 146 BPM | ||
| Southern Arms (feat. Adriel Denae) | Cory Chisel, Adriel Denae | D♭ Major | 1 | 3B | 138 BPM | ||
| Walk You Home | Wes Urbaniak | F Major | 3 | 7B | 170 BPM | ||
| End of the Line (Pinkman's Song) | Jon Danforth | C Major | 4 | 8B | 113 BPM | ||
| Shadows In The Park | Dan Schofield | F♯ Major | 6 | 2B | 99 BPM |