Ian Anderson's ' "In Every Room performance track" was released on its scheduled release date, December 10, 2004. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ian Anderson's "In Every Room performance tracks" album is number 3 out of 14. On top of that, United States appears to be the country where this track was created. In Every Room performance track is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of In Every Room performance track by Ian Anderson to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| God If I Saw Her Now | Anthony Phillips | C Major | 1 | 8B | 146 BPM | ||
| Focus IV | Focus | B♭ Major | 4 | 6B | 109 BPM | ||
| The Crow On The Cradle | Jackson Browne & David Lindley | A Minor | 5 | 8A | 129 BPM | ||
| Nothing Left to Lose - Live | The Alan Parsons Symphonic Project | E Minor | 5 | 9A | 90 BPM | ||
| P'S March | Focus | G Minor | 7 | 6A | 118 BPM | ||
| For Liquorice John - Raw Track from Studio Session | Procol Harum | E Major | 6 | 12B | 149 BPM | ||
| Complicated Love | Marc Tewksbury | F♯ Major | 5 | 2B | 135 BPM | ||
| With His Own Hands | Ian Anderson | D Major | 3 | 10B | 78 BPM | ||
| Enjoyment In Time | Toby Judson | D Major | 7 | 10B | 127 BPM | ||
| Hey, Space Pilot | Mike Cooper, Ian Anderson | D Major | 6 | 10B | 98 BPM | ||
| For No One | Barclay James Harvest | E Minor | 9 | 9A | 129 BPM | ||
| Outlaws Of The Sea | Scarecrow Jack | E Minor | 7 | 9A | 142 BPM | ||
| The Howl | Wolfstone | D Major | 5 | 10B | 127 BPM | ||
| Fool on the Hill - 12" Single Version 1984 | Sky | D Minor | 2 | 7A | 129 BPM | ||
| Guitar Adagio (from Slow Dance) | Anthony Phillips | F♯ Minor | 3 | 11A | 109 BPM | ||
| Along Came Mary | Roger Hodgson | G Major | 4 | 9B | 148 BPM | ||
| Ice Pop | Isildurs Bane, Steve Hogarth | F♯ Major | 6 | 2B | 160 BPM | ||
| Raviole | Audience | D Major | 3 | 10B | 77 BPM | ||
| Fairy World | Saori Jo, Ian Anderson | B Minor | 3 | 10A | 140 BPM | ||
| Claire in Heaven | Capercaillie | G Major | 6 | 9B | 115 BPM | ||
| The Hiring Fair | Fairport Convention | A♭ Minor | 2 | 1A | 77 BPM | ||
| A Day In A Life - Digital Remaster | Triumvirat | G Major | 5 | 9B | 125 BPM | ||
| Whaling Stories - 2009 Remaster | Procol Harum | A Minor | 4 | 8A | 127 BPM | ||
| Crusader | Kayak | C Major | 7 | 8B | 120 BPM | ||
| Zero She Flies - 2007 Remaster | Al Stewart | F♯ Minor | 7 | 11A | 101 BPM |