Philip Glass, Brooklyn Rider's 'Suite for "Bent" for String Quartet: V' had a release date set for March 1, 2011. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 28 in Brooklyn Rider Plays Philip Glass by Philip Glass, Brooklyn Rider. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Suite for "Bent" for String Quartet: V is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite for "Bent" for String Quartet: V by Philip Glass, Brooklyn Rider is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Petricor | Ludovico Einaudi, Daniel Hope | G Major | 3 | 9B | 108 BPM | ||
| The Turning Year | Roger Eno, Scoring Berlin | C Major | 0 | 8B | 72 BPM | ||
| Metamorphosis 1 | Philip Glass, Bruce Brubaker | C Major | 0 | 8B | 66 BPM | ||
| In the Upper Room: Dance VIII | Philip Glass, Philip Glass Ensemble, Michael Riesman | F Minor | 2 | 4A | 168 BPM | ||
| Gnossiennes: No. 4 | Erik Satie, Pascal Rogé | C Major | 0 | 8B | 71 BPM | ||
| Music for 18 Musicians: Pulses | Steve Reich | F♯ Minor | 6 | 11A | 101 BPM | ||
| Andrei | Martin Phipps, BBC National Orchestra Of Wales | C Major | 1 | 8B | 77 BPM | ||
| Bro First Stop | VITMAY | F♯ Minor | 2 | 11A | 86 BPM | ||
| Birds In Warped Time II | Somei Satoh, Anne Akiko Meyers, Li Jian | B Minor | 0 | 10A | 135 BPM | ||
| Dream | John Cage, Alexei Lubimov | C Minor | 0 | 5A | 67 BPM | ||
| Spiegel im Spiegel, for Cello & Piano | Arvo Pärt, Sebastian Klinger, Jürgen Kruse | F Major | 0 | 7B | 84 BPM | ||
| オン・ザ・レーク | Shigeru Umebayashi | G Minor | 0 | 6A | 88 BPM | ||
| Running to the Loop | Philip Glass, Paul Leonard-Morgan | E♭ Minor | 0 | 2A | 65 BPM | ||
| 6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM | ||
| Dear, Dolores - Rework | Illuminine | E Major | 0 | 12B | 107 BPM | ||
| Buka | Hania Rani | D Major | 3 | 10B | 103 BPM | ||
| Ellis Island | Meredith Monk, Bruce Brubaker, Ursula Oppens | A Minor | 1 | 8A | 134 BPM | ||
| Falling Upward | Chris Lippincott | F♯ Minor | 2 | 11A | 86 BPM | ||
| Dolphin (Version for String Quintet) | JB Dunckel, Cécile Tête, Grégoire Vecchioni, Cyrille Lacrouts, Wei-Yu Chang, Shuichi Okada | F♯ Minor | 2 | 11A | 86 BPM | ||
| Arise | Isobel Waller-Bridge | G Minor | 4 | 6A | 100 BPM | ||
| Tales from the Loop | Philip Glass, Paul Leonard-Morgan | B Minor | 1 | 10A | 150 BPM | ||
| Divenire | Ludovico Einaudi, Mari Samuelsen, Hakon Samuelsen, Royal Liverpool Philharmonic Orchestra, Clark Rundell | C Major | 2 | 8B | 100 BPM | ||
| Morning Passages | Philip Glass | E♭ Major | 1 | 5B | 106 BPM | ||
| Arcadiana, Op. 12: VI. O Albion | Thomas Adès, Danish String Quartet | E♭ Major | 0 | 5B | 77 BPM | ||
| Nocturne | Dobrinka Tabakova, Ivan Yanakov | E Major | 0 | 12B | 120 BPM |