"Variation VI: Section III" by William Basinski had its release date on November 9, 2004. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Variations: A Movement In Chrome Primitive by William Basinski. The song's track number on the album is #18 out of 32 tracks. Based on our data, United States was the country where this track was produced or recorded. Variation VI: Section III is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Variation VI: Section III by William Basinski has a tempo of 70 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Variation VI: Section III being at 70 BPM, the half-time would be 35 BPM with a double-time of 140 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Text Me When You Wake Up | Celer | D♭ Minor | 1 | 12A | 139 BPM | ||
| The Quiet Hour | Tor Lundvall | D Major | 3 | 10B | 132 BPM | ||
| Woodland Encounter | Patricia Wolf | E Minor | 9 | 9A | 144 BPM | ||
| Aislin (In Silver Dust) | How to Disappear Completely | D Major | 2 | 10B | 142 BPM | ||
| Vansunbarth | Pjusk, Sleep Orchestra | B Major | 3 | 1B | 49 BPM | ||
| Mono No Aware 1.1 | William Basinski, Lawrence English | F Major | 1 | 7B | 72 BPM | ||
| In Åland Air | Jeremiah Chiu, Marta Sofia Honer | D♭ Major | 4 | 3B | 114 BPM | ||
| Signals - Remastered 2005 | Brian Eno | F♯ Major | 0 | 2B | 71 BPM | ||
| Buhrstone | Sarah Davachi | G Minor | 1 | 6A | 70 BPM | ||
| Mexican Bells (for Jorge Reyes) | Suso Saiz | C Minor | 2 | 5A | 192 BPM | ||
| Narkopop 4 | GAS | E Minor | 1 | 9A | 90 BPM | ||
| Zucht 2 | Machinefabriek | B Minor | 0 | 10A | 77 BPM | ||
| Pop 6 | GAS | B♭ Minor | 3 | 3A | 72 BPM | ||
| Light Bodied | Mark Pritchard | D Minor | 2 | 7A | 141 BPM | ||
| Displacement | Rafael Anton Irisarri | E♭ Major | 0 | 5B | 87 BPM | ||
| Zephyr | Loscil | E Minor | 2 | 9A | 122 BPM | ||
| Harmony in Blue I | Tim Hecker | A♭ Minor | 1 | 1A | 73 BPM | ||
| Fantas Morbida - Kara-Lis Coverdale | Caterina Barbieri, Kara-Lis Coverdale | G Minor | 1 | 6A | 165 BPM | ||
| Tippy's Demise | Stars Of The Lid | E♭ Minor | 1 | 2A | 91 BPM | ||
| Paper Dawn | Taylor Deupree | F♯ Major | 1 | 2B | 70 BPM | ||
| Overgrowth | r beny | D Major | 3 | 10B | 70 BPM | ||
| Lifeblood | Huerco S. | B♭ Minor | 4 | 3A | 151 BPM | ||
| The Point of It All | Fennesz | G Minor | 3 | 6A | 87 BPM | ||
| Floor Position | Perila | A♭ Minor | 2 | 1A | 131 BPM | ||
| Body Within Body | Jefre Cantu-Ledesma | D Major | 1 | 10B | 72 BPM |