T. S. Aswini Sastry, T. S. Rohini Sastry's 'Adithya Hridhaya Stothram' had a release date set for November 1, 2010. This song appears to be safe for all ages as it is not explicit. There are a total of 69 in the song's album "Navagraha Sthothras". In this album, this song's track order is #7. Furthermore, we believe that the track originated from India. Adithya Hridhaya Stothram is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Adithya Hridhaya Stothram by T. S. Aswini Sastry, T. S. Rohini Sastry having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shivopasana Mantra Nidhana Pataye Namaha | Sri Sathya Sai Official | A♭ Major | 6 | 4B | 101 BPM | ||
| Manojavam | Mallika Dharnana | E Minor | 2 | 9A | 85 BPM | ||
| Sri Varamukhi Stavam | Bhandhavi | A Major | 2 | 11B | 109 BPM | ||
| Budha Graha Ashtothra Namavali | T. S. Aswini Sastry, T. S. Rohini Sastry, Barathwaja Sastry, Sankara Sastry | G Major | 0 | 9B | 123 BPM | ||
| Durga Saptashati-Ninth Chapter | Pt. Hari Nath Jha | E♭ Major | 3 | 5B | 116 BPM | ||
| Shyamala Dandakam | Sivasri Skandaprasad | D♭ Major | 4 | 3B | 120 BPM | ||
| Ekashloki Bhagavatam | T. S. Ranganathan | B♭ Major | 4 | 6B | 109 BPM | ||
| Raghu Vamsha Deepa | Vidyabhushana, H. L. Sheshachandra | D♭ Major | 6 | 3B | 144 BPM | ||
| Om Brahm Brishaspataye Namah | Pramod Kishan | D Major | 6 | 10B | 148 BPM | ||
| Sri Subramanya Swami Karavalambam | Randhnini Roshini | D Major | 3 | 10B | 180 BPM | ||
| Mangalashtakam | Chennai Sisters | D Major | 4 | 10B | 81 BPM | ||
| Ashtothram | T. S. Aswini Sastry, T. S. Rohini Sastry | G Major | 2 | 9B | 98 BPM | ||
| Sri Varahi Devi Stavam | J. Bhakatavatsalam | D Major | 5 | 10B | 86 BPM | ||
| Sri Dhanvantari Mangalam | J. Bhakatavatsalam, Na | C Major | 5 | 8B | 65 BPM | ||
| Lakshmi Narasimha Ashtakam | Shankara Sastry | A Major | 3 | 11B | 169 BPM | ||
| Chandra Gayathri Manthram | T. S. Rohini Sastry, T. S. Aswini Sastry | G Major | 3 | 9B | 81 BPM | ||
| Sri Yantrodhara Hanumata Stotra | Puttur Narasimha Nayak, Harsha Rao, Sri Mukund | C Major | 6 | 8B | 72 BPM | ||
| Ghanapatham | Challakere Brothers | D Major | 2 | 10B | 169 BPM | ||
| Om Trayambakam | T. Krishna Rao | B♭ Major | 3 | 6B | 133 BPM | ||
| Purusha Sooktam | Puttur Narasimha Nayak, Kalyana Raman, Chandan Nallal | A♭ Major | 7 | 4B | 74 BPM | ||
| Saptashati Nyaasaha | S.Prakash Kaushik | C Major | 3 | 8B | 112 BPM | ||
| Kshetrapati Sukta - a Farmer’s Prayer to God | Ved Vrind | B Major | 3 | 1B | 175 BPM | ||
| Keelakam | S.Prakash Kaushik | C Major | 3 | 8B | 105 BPM | ||
| Keelaka Stotram | J. Bhaktavatsalam, Ganesan, Na | C Major | 4 | 8B | 136 BPM | ||
| Nrisimhashtakam | Prof. Thiagarajan, Sanskrit Scholars | F♯ Major | 5 | 2B | 128 BPM |