Randy Lyght's ' "Our Love Is Here to Stay" was released on its scheduled release date, January 1, 2012. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Our Love Is Here to Stay's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Randy Lyght's "Just In Time" album is number 9 out of 10. In terms of popularity, Our Love Is Here to Stay is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Our Love Is Here to Stay by Randy Lyght to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| At Midnight, I Was Reasonable | Adelaide Jazz Project | E♭ Major | 2 | 5B | 84 BPM | ||
| Satin Doll | Peter Appleyard, Barbra Lica | G Minor | 3 | 6A | 110 BPM | ||
| Bewitched, Bothered and Bewildered | Suss von Ahn | B♭ Major | 2 | 6B | 180 BPM | ||
| The Business | Ladies & Gents | F Major | 2 | 7B | 76 BPM | ||
| Secret Love | Gert Bernardus | F Major | 2 | 7B | 76 BPM | ||
| How Did She Look? | Kevin Mahogany | C Minor | 1 | 5A | 93 BPM | ||
| When You're Smiling | Matt Belsante | C Minor | 2 | 5A | 82 BPM | ||
| Les Rues De Minuit | Henri Duvallier | C Minor | 2 | 5A | 77 BPM | ||
| Song of Songs 2:16-17 | Holy Jazz Vibes | F Major | 2 | 7B | 76 BPM | ||
| Moonlight on My Sleeve | Eddie Gold | B♭ Major | 4 | 6B | 105 BPM | ||
| The Way You Look Tonight | Randy Lyght | A♭ Major | 4 | 4B | 133 BPM | ||
| Every Memory of You | Fontaine | F Major | 2 | 7B | 76 BPM | ||
| Song of Songs 2:10-12 | Holy Jazz Vibes | F Major | 2 | 7B | 76 BPM | ||
| The Shadow of Your Smile | John Stevens | A Minor | 4 | 8A | 101 BPM | ||
| The Good Life | Glenn Frey | B♭ Major | 3 | 6B | 95 BPM | ||
| Blue Heaven Rendezvous | Peter Mayer | G Major | 4 | 9B | 140 BPM | ||
| Shy Girl | J. Johnson Esposito | F Major | 2 | 7B | 76 BPM | ||
| Moonlight, My Witness | Afternoon Reverie | G Major | 3 | 9B | 98 BPM | ||
| You Go To My Head | Michael Feinstein | E♭ Minor | 2 | 2A | 72 BPM | ||
| What a Difference a Day Makes | Arpi Alto | C Major | 3 | 8B | 103 BPM | ||
| I Get a Kick Out of You | Randy Lyght | D Major | 4 | 10B | 147 BPM | ||
| Until You Come Back To Me | Peter Grant | G Major | 3 | 9B | 174 BPM | ||
| Isn't It Romantic? | Steve Tyrell | D Major | 4 | 10B | 114 BPM | ||
| I Should Have Known Better (feat. Mario Jose) | Brynn Stanley, Mario Jose | F♯ Major | 3 | 2B | 106 BPM | ||
| Night and Day | Suss von Ahn | C Major | 2 | 8B | 118 BPM |