"Bell's Theme" by Jack Wall had its release date on November 13, 2020. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 51 in Call of Duty® Black Ops: Cold War (Official Game Soundtrack) by Jack Wall. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Bell's Theme is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bell's Theme by Jack Wall is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nox Eternis | Ndemic Creations, Marius Masalar | B Major | 1 | 1B | 76 BPM | ||
| Piccadilly Circus | Sarah Schachner | A♭ Major | 4 | 4B | 105 BPM | ||
| Bloodlust | Bear McCreary | F Minor | 7 | 4A | 90 BPM | ||
| The Dead Survive | Trevor Gureckis | D♭ Major | 6 | 3B | 146 BPM | ||
| The Fate of Tsushima | Ilan Eshkeri | A♭ Major | 7 | 4B | 120 BPM | ||
| Mac-V | Sean Murray | D Major | 7 | 10B | 92 BPM | ||
| Blueprints - Original Version | Starbreeze Entertainment, Simon Viklund | F♯ Major | 6 | 2B | 170 BPM | ||
| 2500 Tons Of Awesome | Ramin Djawadi | E Minor | 3 | 9A | 67 BPM | ||
| For the Glory of Agatha! | J.D. Spears | C Major | 5 | 8B | 160 BPM | ||
| The Search for Josefina | Jack Wall | D Major | 7 | 10B | 150 BPM | ||
| Unforgiving Sands | Ludvig Forssell | B♭ Minor | 5 | 3A | 108 BPM | ||
| Exit Amerika | Jack Wall | E Minor | 6 | 9A | 105 BPM | ||
| Main Title | Inon Zur, Fallout | D Minor | 5 | 7A | 124 BPM | ||
| Brothers of Blood | Cris Velasco | G Major | 8 | 9B | 120 BPM | ||
| Classic Builds | Natalie Holt | A Major | 5 | 11B | 130 BPM | ||
| Prologue / Black Ops | Jack Wall | E Minor | 6 | 9A | 110 BPM | ||
| The Following | Pawel Blaszczak | G Major | 2 | 9B | 95 BPM | ||
| Fate | Shiro SAGISU | A Minor | 8 | 8A | 88 BPM | ||
| Deserted Day | Pawel Blaszczak | B♭ Minor | 3 | 3A | 75 BPM | ||
| Lost (From “Call of Duty: Black Ops Cold War - Firebase Z”) | Kevin Sherwood, James McCawley, Julie Nathanson | F Minor | 6 | 4A | 92 BPM | ||
| Where There Is Darkness | Paul Leonard-Morgan | A Major | 4 | 11B | 128 BPM | ||
| This Is What You Are | Keith Power | C Major | 5 | 8B | 105 BPM | ||
| The Final Battle | Tsukasa Saitoh | F Major | 4 | 7B | 67 BPM | ||
| Horizon | Pawel Blaszczak | C Major | 4 | 8B | 180 BPM | ||
| Amsterdam | Jack Wall | F Major | 5 | 7B | 120 BPM |