Lilly Martin's ' "Too Much Trouble" was released on its scheduled release date, January 20, 2012. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "The Velvet Mission". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Switzerland. In terms of popularity, Too Much Trouble is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Too Much Trouble by Lilly Martin having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Baby What You Want Me to Do | Mick Hucknall | A Major | 9 | 11B | 122 BPM | ||
| What Have You Got To Loose | Jay-Bee & The Ultratone All-Stars | D♭ Major | 5 | 3B | 101 BPM | ||
| I Count the Days You're Gone | Joe Beard, Ronnie Earl, The Broadcasters | D Major | 6 | 10B | 114 BPM | ||
| Crazy Daisy | Marlon Pichel | D Minor | 3 | 7A | 168 BPM | ||
| Falling | Dani Wilde | A♭ Major | 5 | 4B | 134 BPM | ||
| No Clothes On | Eric Bibb | D Minor | 3 | 7A | 168 BPM | ||
| 29 Ways | Lilly Martin | C Major | 6 | 8B | 132 BPM | ||
| Scam Me, Scam Me Not | Little G Weevil | E Minor | 5 | 9A | 73 BPM | ||
| Sliver of Time | Edie Daponte | G Major | 3 | 9B | 177 BPM | ||
| Heavenly blues | The Harmony Sessions | D Minor | 3 | 7A | 168 BPM | ||
| Company Graveyard | Karen Lovely | C Major | 9 | 8B | 204 BPM | ||
| Unconditional | Ana Popovic | B Minor | 5 | 10A | 118 BPM | ||
| By Your Side | Big Daddy Wilson | A♭ Major | 6 | 4B | 95 BPM | ||
| Too Close | Shemekia Copeland | A Minor | 5 | 8A | 184 BPM | ||
| Hard Times | Carl Verheyen | B♭ Major | 3 | 6B | 107 BPM | ||
| Feelin' Better Now | Andrew Duncanson, Michael Peloquin | E Major | 7 | 12B | 76 BPM | ||
| My Old Man and My Mama | Dr. Bernardo & the Medicine | G Major | 7 | 9B | 148 BPM | ||
| Never Saw It Comin' | Delbert McClinton & The Dick50 | A Major | 4 | 11B | 103 BPM | ||
| Blue Light Boogie | Bill Wyman's Rhythm Kings | G Minor | 6 | 6A | 112 BPM | ||
| Don't You Cry for Me | Gráinne Duffy | F Major | 6 | 7B | 146 BPM | ||
| Break These Chains | Best Audiophile Voices | C Minor | 2 | 5A | 81 BPM | ||
| Long as I Can See the Light | Janiva Magness | B Major | 7 | 1B | 138 BPM | ||
| Perfect Storm | Elles Bailey | F♯ Major | 7 | 2B | 144 BPM | ||
| Lonely Avenue | Lilly Martin | E Minor | 5 | 9A | 99 BPM | ||
| Last Thing I Do | Ana Popovic | B Minor | 9 | 10A | 178 BPM |