"We Played Some Open Chords And Rejoiced, For The Earth Had Circled The Sun Yet Another Year - Arr. for Piano and Orchestra by David Le Page" by Orchestra of the Swan, Philip Sheppard, Viv McLean had its release date on May 12, 2023. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 10 out of 14 in Echoes by Orchestra of the Swan, Philip Sheppard. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, We Played Some Open Chords And Rejoiced, For The Earth Had Circled The Sun Yet Another Year - Arr. for Piano and Orchestra by David Le Page is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of We Played Some Open Chords And Rejoiced, For The Earth Had Circled The Sun Yet Another Year - Arr. for Piano and Orchestra by David Le Page by Orchestra of the Swan, Philip Sheppard, Viv McLean is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Radiohead: Like Spinning Plates | Anastasia Kobekina, Jean-Sélim Abdelmoula | D♭ Minor | 0 | 12A | 77 BPM | ||
| An Hour Off for Friendship | Luke Howard, Budapest Art Orchestra | G Major | 0 | 9B | 132 BPM | ||
| A Sense Of Place | Sophie Hutchings | C Major | 1 | 8B | 140 BPM | ||
| Triune | Olivia Belli | D Minor | 2 | 7A | 75 BPM | ||
| Gabriel's Oboe - From "The Falls" - Version for Cello & String Orchestra | Ennio Morricone, Metamorphose String Orchestra, Pavel Lyubomudrov, Mikael Samsonov | D Minor | 0 | 7A | 83 BPM | ||
| Annabel Lee (Arr. B. Hughes for Pierrot Quintet & Narrator) | John Ireland, Alexander Armstrong, Orchestra of the Swan, Tom Hammond | A♭ Major | 1 | 4B | 169 BPM | ||
| Darkness | Julie Cooper, Grace Davidson, Clio Gould, Anthony Pike, Justin Pearson | C Minor | 2 | 5A | 67 BPM | ||
| Cello Sonata in G Minor (Arr. for Cello & String Orchestra): III. Con moto e marcato | John Ireland, Raphael Wallfisch, Orchestra of the Swan, David Curtis | C Minor | 2 | 5A | 84 BPM | ||
| Das Lied von der Erde: II. Der Einsame im Herbst (The Song of the Earth) [The Lonely One in Autumn] [Arr. A. Schoenberg and R. Riehn] | Gustav Mahler, Emma Curtis, Orchestra of the Swan, Kenneth Woods | F Major | 0 | 7B | 90 BPM | ||
| saman (Arr. Lawson for Saxophone & Ensemble) | Jess Gillam, Jess Gillam Ensemble | E♭ Major | 1 | 5B | 107 BPM | ||
| Prophecies and Dreams | Debbie Wiseman | F Major | 0 | 7B | 132 BPM | ||
| V. Earth | Rachel Portman, Niklas Liepe, WDR Funkhausorchester, Erina Yashima | G Minor | 1 | 6A | 99 BPM | ||
| The Great Longing of an Unquiet Heart | Luke Howard, Budapest Art Orchestra | D♭ Major | 5 | 3B | 120 BPM | ||
| Perpetuum mobile, Op. 257, "Musikalischer Scherz" (Musical Joke) | Johann Strauss II, Orchestra of the Swan, David Curtis | E♭ Major | 1 | 5B | 144 BPM | ||
| Serenade No. 1 in D Major, Op. 11: IV. Menuettos I & II | Johannes Brahms, Orchestra of the Swan, Kenneth Woods | C Major | 0 | 8B | 116 BPM | ||
| Summer 2 - 2012 | Max Richter, Daniel Hope, Konzerthaus Kammerorchester Berlin, Andre de Ridder | G Minor | 2 | 6A | 90 BPM | ||
| Tàmâr Mĕtūshelāḥ | Olivia Belli, Gautier Capuçon | D Major | 1 | 10B | 80 BPM | ||
| Vientulais Engelis: Meditation for Violin and String Orchestra | Pēteris Vasks, Mari Samuelsen, Konzerthausorchester Berlin, Jonathan Stockhammer | A Major | 3 | 11B | 107 BPM | ||
| Cello Sonata in G Minor (Arr. for Cello & String Orchestra): I. Moderato e sostenuto | John Ireland, Raphael Wallfisch, Orchestra of the Swan, David Curtis | A♭ Major | 0 | 4B | 109 BPM | ||
| Façade: No. 4, Long Steel Grass | William Walton, Roderick Williams, Tamsin Dalley, Orchestra of the Swan, Bruce O'Neil | A Major | 1 | 11B | 127 BPM | ||
| Symphony No. 1 in D Major, Op. 30: II. Burleske | Hans Gál, Orchestra of the Swan, Kenneth Woods | F♯ Minor | 1 | 11A | 107 BPM | ||
| Deep Water | Rob Simonsen | A♭ Major | 2 | 4B | 67 BPM | ||
| Spring 2 - 2022 | Max Richter, Elena Urioste, Chineke! Orchestra | F Minor | 2 | 4A | 123 BPM | ||
| Ithaca Suite: VI. Laertes | Olivia Belli, Raphaela Gromes | D Minor | 0 | 7A | 83 BPM | ||
| Oboe Concerto in D Minor S.Z799: 2. Adagio (Arr. Harle) | Alessandro Marcello, Jess Gillam, BBC Concert Orchestra, Richard Balcombe | C Minor | 1 | 5A | 71 BPM |