Riley Armstrong's ' "Mondays" was released on its scheduled release date, April 14, 2014. With This song being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Riley Armstrong's "I Live Dangerous: The Music Comedy of Riley Armstrong" album is number 16 out of 16. Mondays is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Mondays by Riley Armstrong to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Will I Ever Make It Home | Ingram Hill | A♭ Major | 9 | 4B | 186 BPM | ||
| Circles | Cloverton | G Major | 6 | 9B | 119 BPM | ||
| What About (with Jon Schmidt) | Peter Breinholt | G Major | 5 | 9B | 177 BPM | ||
| Best Days - Album Version Final | Matt White | B Major | 8 | 1B | 127 BPM | ||
| Time 2 Feel Good | soneboy | D Major | 6 | 10B | 126 BPM | ||
| Nothing For Granted | Brendan James | G Major | 8 | 9B | 128 BPM | ||
| Letters | Stroke 9 | A Major | 7 | 11B | 156 BPM | ||
| Help Me, Suzanne | Rhett Miller | B♭ Major | 8 | 6B | 138 BPM | ||
| Strong Enough | Tal Bachman | G Major | 7 | 9B | 93 BPM | ||
| Darker Side Of Blue | Tal Bachman | E Major | 9 | 12B | 199 BPM | ||
| Always in Love | Graham Colton | B Minor | 9 | 10A | 136 BPM | ||
| Leaving Town | Dexter Freebish | F Major | 8 | 7B | 104 BPM | ||
| Room in Your Heart | Wall One | A Major | 3 | 11B | 73 BPM | ||
| Past Future Perfect | The Ocean Blue | B♭ Major | 3 | 6B | 145 BPM | ||
| Alley Cat | Sherwood | G Major | 6 | 9B | 132 BPM | ||
| May I Go | Econoline Crush | D Major | 8 | 10B | 98 BPM | ||
| Unsingable Name | Mike Doughty | D Major | 7 | 10B | 94 BPM | ||
| Party Boy | Old Man Galetti | A Minor | 8 | 8A | 124 BPM | ||
| Coke | Flickerstick | D Major | 9 | 10B | 154 BPM | ||
| Killing Me | Graham Colton Band | A Major | 7 | 11B | 150 BPM | ||
| You're An Ocean | Fastball | F♯ Major | 10 | 2B | 134 BPM | ||
| Where Have All the Payphones Gone? | Riley Armstrong | D Major | 6 | 10B | 93 BPM | ||
| The Fall | Brendan James | D Major | 7 | 10B | 184 BPM | ||
| I Am | Bebo Norman | G Major | 7 | 9B | 137 BPM | ||
| King of Yesterday | Jude | F Major | 7 | 7B | 172 BPM |