Dan Patlansky's 'Too Far Gone' had a release date set for February 2, 2018. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Perfection Kills". In this album, this song's track order is #4. In terms of popularity, Too Far Gone is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Too Far Gone by Dan Patlansky having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Love Is | Tommy Castro, The Painkillers | F Minor | 8 | 4A | 99 BPM | ||
| Solid Ground (The Steakhouse Session, Vol. 1) | Eric Steckel | A Major | 9 | 11B | 203 BPM | ||
| Bad Feeling | Dave Meniketti | B Minor | 7 | 10A | 118 BPM | ||
| Dengue Woman Blues | Jimmie Vaughan | F Minor | 4 | 4A | 180 BPM | ||
| Shadows Passed | Danny Bryant's Redeyeband | D Minor | 7 | 7A | 135 BPM | ||
| Insufficient Man | Dan Patlansky | B Major | 6 | 1B | 67 BPM | ||
| Ladyfriend | Bernie Marsden | F Major | 6 | 7B | 127 BPM | ||
| Ain't No Love In the Heart of the City | Bernie Marsden | D Minor | 7 | 7A | 117 BPM | ||
| Let Your Love Lie Down | Lloyd Spiegel | F♯ Minor | 3 | 11A | 74 BPM | ||
| Take Me Back | Scott McKeon | F Minor | 5 | 4A | 92 BPM | ||
| Bridges to Burn | Lloyd Spiegel | E Minor | 5 | 9A | 167 BPM | ||
| Blues Don't Always "Have to Be Blue" | BLUES OF MASS SEDUCTION | B Minor | 8 | 10A | 113 BPM | ||
| Paranoia | Will Wilde | E♭ Minor | 4 | 2A | 109 BPM | ||
| Days Like This | Danny Bryant's Redeyeband, Walter Trout | C Minor | 8 | 5A | 175 BPM | ||
| Linger | The Sad Guitar, Misery Guitar Strings, Blues Delight | B Minor | 3 | 10A | 76 BPM | ||
| .32 Blues | Chris Duarte | B♭ Minor | 6 | 3A | 114 BPM | ||
| Shake My Head | David Gogo | A Minor | 7 | 8A | 168 BPM | ||
| Why'd She Have To Go (And Let Me Down)? | Moreland & Arbuckle | G Major | 4 | 9B | 130 BPM | ||
| Best of Me | Danny Bryant | G Minor | 9 | 6A | 98 BPM | ||
| She Got The Devil In Her/I Gotta Try You | Ian Siegal | D♭ Major | 4 | 3B | 72 BPM | ||
| Silent Nite | Blues Company | A Minor | 3 | 8A | 141 BPM | ||
| Paper Saints | Victor Kane | C Major | 4 | 8B | 130 BPM | ||
| Silver Spoon | Kirk Fletcher | C Minor | 4 | 5A | 76 BPM | ||
| Dodging The Blues | Carl Verheyen | F♯ Minor | 5 | 11A | 140 BPM | ||
| "It`s Insane This Game | Highly Recommended Treatment | B Minor | 5 | 10A | 141 BPM |