"Gawain, Act I (1994 Revised Version): The Court's Reaction. It's Nothing [Live]" by Harrison Birtwistle, Richard Greager, John Tomlinson, Orchestra Of The Royal Opera House, Penelope Walmsley-Clark, Marie Angel, Anne Howells, Elgar Howarth had its release date on August 5, 2014. With This song being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Harrison Birtwistle, Orchestra Of The Royal Opera House, Elgar Howarth's "Harrison Birtwistle: Gawain (1994 Revised Version)" album is number 19 out of 65. On top of that, United Kingdom appears to be the country where this track was created. Gawain, Act I (1994 Revised Version): The Court's Reaction. It's Nothing [Live] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gawain, Act I (1994 Revised Version): The Court's Reaction. It's Nothing [Live] by Harrison Birtwistle, Richard Greager, John Tomlinson, Orchestra Of The Royal Opera House, Penelope Walmsley-Clark, Marie Angel, Anne Howells, Elgar Howarth to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Játékok / 8.: Tanulmány a "Hölderlin"-hez | György Kurtág, Márta Kurtág | F♯ Minor | 0 | 11A | 88 BPM | ||
| Five Pieces for String Quartet, WV 68: No. 2, Alla Serenata | Erwin Schulhoff, Leonkoro Quartet | D♭ Minor | 0 | 12A | 80 BPM | ||
| Tríptico R(ojo) | Renato Pedro Di Prinzio, Renato Di Prinzio | E♭ Major | 2 | 5B | 134 BPM | ||
| Escenas | Gabriel Bouche Caro, Clare Monfredo, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Ligeti : Romanian Concerto : I Andantino | György Ligeti, Jonathan Nott, Berliner Philharmoniker | C Major | 0 | 8B | 91 BPM | ||
| Martinu: Piano Quartet No. 1, H. 287: II. Adagio | Bohuslav Martinů, Domus | D Minor | 1 | 7A | 85 BPM | ||
| Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Martin Fröst | D♭ Major | 2 | 3B | 107 BPM | ||
| Sinfonietta: 5. Andante con moto - Maestoso - Tempo I - Allegretto - Allegro - Maestoso - Adagio | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik | E♭ Minor | 3 | 2A | 60 BPM | ||
| The Cunning Little Vixen (Prihody Lisky Bystrousky): Prelude | Leoš Janáček, Wiener Philharmoniker, Sir Charles Mackerras | D♭ Minor | 1 | 12A | 99 BPM | ||
| String Quartet No. 6 (2001): IV. | Rudolf Kelterborn, Amaryllis Quartett | D♭ Minor | 0 | 12A | 80 BPM | ||
| Revue Music | Sofia Gubaidulina, Basel Sinfonietta, Titus Engel, NDR Bigband | D♭ Major | 3 | 3B | 71 BPM | ||
| Ciudadano Sombra: II. - Live Concert | Ramón Paus, Pablo Martos, Yuval Gotlibovich, Alberto Martos | G Major | 1 | 9B | 94 BPM | ||
| Pedro y el Lobo: El Logo Agarra Al Pato | Sergei Prokofiev, Ensemble Orquestra De Cadaqués, Leonor Watling, Vasily Petrenko | F Major | 5 | 7B | 118 BPM | ||
| Concertino for Viola and Chamber Orchestra: II. Andante Espressivo | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A♭ Minor | 1 | 1A | 80 BPM | ||
| Pärt: Silouans Song | Arvo Pärt, Ostrobothnian Chamber Orchestra, Juha Kangas | F Minor | 0 | 4A | 130 BPM | ||
| Chorale | Igor Stravinsky, Dirk Luijmes, Martin Logar | D♭ Minor | 0 | 12A | 80 BPM | ||
| War Requiem, Op. 66: iv. Requiem Aeternam - Kyrie eleison | Benjamin Britten, Gianandrea Noseda, London Symphony Chorus, London Symphony Orchestra | F♯ Major | 0 | 2B | 144 BPM | ||
| Messiaen: Des canyons aux étoiles...: XII. Zion Park et la cité céleste | Olivier Messiaen, Marius Constant, Alain Jacquet, Ensemble Ars Nova, François Dupin, Georges Barboteu, Yvonne Loriod | A Major | 1 | 11B | 78 BPM | ||
| 7 Haikus: IV. Con moto assai. Giocoso | Benet Casablancas, Ensemble New Babylon, Lorenzo Ferrándiz Carillo | D♭ Major | 0 | 3B | 75 BPM | ||
| Messiaen: Fête des belles eaux: VIII. Feux d'artifice final | Olivier Messiaen, Jeanne Loriod, Sextuor Jeanne Loriod | B Major | 2 | 1B | 172 BPM | ||
| Punch and Judy: Sinfonia | Harrison Birtwistle, Philip Langridge, Stephen Roberts, David Wilson-Johnson, John Tomlinson, London Sinfonietta, David Atherton | D Major | 2 | 10B | 82 BPM | ||
| 7 Haikus: I. Molto adagio | Benet Casablancas, Ensemble New Babylon, Lorenzo Ferrándiz Carillo | D♭ Major | 0 | 3B | 75 BPM | ||
| I. — | Giacinto Scelsi, Vienna Radio Symphony Orchestra, Peter Rundel | A♭ Major | 5 | 4B | 83 BPM | ||
| Sensemaya | Silvestre Revueltas, Orquesta Sinfónica Carlos Chávez | F♯ Major | 4 | 2B | 100 BPM | ||
| Piano Concerto No. 1, Op. 45: III. Molto vivace | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | C Minor | 3 | 5A | 76 BPM |