"Health Class (Version for Voice & Chamber Ensemble)" by Aaron Davis, Margaret Atwood, Hannaford Street Silver Band, Measha Brueggergosman, George Koller, Mark Mariash had its release date on March 1, 2024. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Health Class (Version for Voice & Chamber Ensemble)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Zombie Blizzard by Aaron Davis, Margaret Atwood, Measha Brueggergosman, Hannaford Street Silver Band. The song's track number on the album is #6 out of 20 tracks. Based on our data, Canada was the country where this track was produced or recorded. In terms of popularity, Health Class (Version for Voice & Chamber Ensemble) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Health Class (Version for Voice & Chamber Ensemble) by Aaron Davis, Margaret Atwood, Hannaford Street Silver Band, Measha Brueggergosman, George Koller, Mark Mariash has a tempo of 110 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Health Class (Version for Voice & Chamber Ensemble) being at 110 BPM, the half-time would be 55 BPM with a double-time of 220 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rebirth | Coco Love Alcorn | G Major | 5 | 9B | 80 BPM | ||
| Miracle Song | Madeline Kahn, Maureen Moore, Chip Zien, Anyone Can Whistle Ensemble (1995) | G Major | 4 | 9B | 105 BPM | ||
| Free Feat Lb | Mr. Monrovia, LB | A Minor | 7 | 8A | 80 BPM | ||
| Charpentier: Te Deum, H. 146: I. Prélude (Arr. for Trumpet and Organ) | Marc-Antoine Charpentier, Maurice André, Jane Parker-Smith | D Major | 2 | 10B | 141 BPM | ||
| The Holly She Bears a Berry | The Choirs of Our Lady of Mount Carmel Church | E♭ Major | 2 | 5B | 124 BPM | ||
| The Nutcracker, Op. 71a: Danses Characteristiques: Marche - Arr. for Trombone Quartet | Pyotr Ilyich Tchaikovsky, Hans Ströckler, Dietmar Küblböck, Erik Hainzl, Otmar Gaiswinkler | E Minor | 1 | 9A | 139 BPM | ||
| No One Has Ever Loved Me | Michael Ball | G Major | 3 | 9B | 127 BPM | ||
| Canzon IX (Arr. E. Crees for brass) | Giovanni Gabrieli, London Symphony Brass, Eric Crees | A Minor | 1 | 8A | 96 BPM | ||
| The Clock Tower | Android | B Minor | 10 | 10A | 145 BPM | ||
| A Cornish Christmas Carol | Peter Warlock, The Carice Singers, George Parris | A♭ Major | 1 | 4B | 92 BPM | ||
| Sextet for Brass in E-Flat Minor, Op. 30: III. Andante cantabile | Oskar Böhme, Center City Brass Quintet, Jack Sutte | E♭ Major | 2 | 5B | 101 BPM | ||
| Suite de symphonies No. 1 in D Major: I. Rondeau (Arr. N. Balm for Trumpet, Organ & Trumpet Ensemble) | Jean-Joseph Mouret, Edward Carroll, Edward Brewer, New York Trumpet Ensemble | A Major | 3 | 11B | 81 BPM | ||
| Avant Cool | Manteca | D♭ Major | 4 | 3B | 89 BPM | ||
| Princess Clothing (Version for Voice & Chamber Ensemble): No. 2, Fur | Aaron Davis, Margaret Atwood, Hannaford Street Silver Band, Measha Brueggergosman, George Koller, Mark Mariash | G Major | 2 | 9B | 110 BPM | ||
| Blizzard (Version for Narrator & Double Bass) | Aaron Davis, Margaret Atwood, George Koller | A♭ Major | 3 | 4B | 110 BPM | ||
| La Bergamasca | PRO BRASS | D Major | 1 | 10B | 68 BPM | ||
| The Arrival of the Magi - Solo Piano | Karen Biehl | F♯ Minor | 1 | 11A | 79 BPM | ||
| Frohe Botschaft | Roland Eitzinger, Federspiel | B Major | 6 | 1B | 169 BPM | ||
| You're Gonna Love Tomorrow / Love Will See Us Through | Howard McGillin, Jim Walton, Daisy Prince, Liz Callaway | F♯ Major | 4 | 2B | 96 BPM | ||
| For Unto Us A Child Is Born | His Majestie's Clerkes | F♯ Major | 1 | 2B | 91 BPM | ||
| Is This What You Call Love? | Michael Ball | D♭ Major | 4 | 3B | 166 BPM | ||
| Since 04' | Hidden Renaissance, Praxeye, Jeph Early | A♭ Major | 9 | 4B | 82 BPM | ||
| Kommt, wir teilen das Brot am Tisch des Herrn: Sätze | Gloria Brass | F Major | 1 | 7B | 66 BPM | ||
| Sugar Momma (feat. D Boy Tha Mack, Monty Hall & Studio Mike) | LB, D Boy Tha Mack, Monty Hall, Studio Mike | G Major | 8 | 9B | 90 BPM | ||
| Sinua Herra kiitämme | SRK Instrumentaali, Lumme Brass | G Minor | 1 | 6A | 134 BPM |