Kiedis Solberg, Dusty Rule's 'How We Used to Be' had a release date set for January 17, 2026. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. How We Used to Be's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in How We Used to Be and no other songs are present in the album, we classify this track as a single. Based on our statistics, How We Used to Be's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of How We Used to Be by Kiedis Solberg, Dusty Rule to be Allegro (fast, quick, and bright) because the track has a tempo of 148 BPM, a half-time of 74BPM, and a double-time of 296 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mirror Like The Moon | MK Green | E♭ Major | 2 | 5B | 154 BPM | ||
| Still that Day | Ted Dannington Jr | D♭ Minor | 3 | 12A | 98 BPM | ||
| Oh My Girl | Angus Mackay | E♭ Major | 2 | 5B | 154 BPM | ||
| Warning | Dusty Rule | G Major | 2 | 9B | 120 BPM | ||
| Shut up and Dance | Brent Morgan, Derek Hough | E♭ Major | 2 | 5B | 154 BPM | ||
| Raised Some Hell | Hunter Rae | E♭ Major | 2 | 5B | 154 BPM | ||
| Beautiful Mess | Ansley Trivedi | G Major | 6 | 9B | 125 BPM | ||
| Havasu Cruisin' | Mr.CaliLakeLife | E♭ Major | 2 | 5B | 154 BPM | ||
| Breakdown | Leyton Robinson | B♭ Major | 5 | 6B | 83 BPM | ||
| "Fragments of a Dream" | Cassio Alvarado | B Minor | 3 | 10A | 82 BPM | ||
| Heartbroken Away | Lillpessa | A♭ Major | 2 | 4B | 129 BPM | ||
| I Love You | Brad Hodz | C Major | 3 | 8B | 80 BPM | ||
| Zenith | RIAN VEX | F♯ Minor | 2 | 11A | 76 BPM | ||
| Driftwood Dreams | Exuma Secrets | C Major | 8 | 8B | 182 BPM | ||
| back to you | QUEEVA | B Major | 6 | 1B | 164 BPM | ||
| Leaving Side of You - Acoustic | Ashley Brooks | F Major | 4 | 7B | 142 BPM | ||
| Why | Bible Jamz | F♯ Major | 5 | 2B | 98 BPM | ||
| Settle Down | Lathan Bryant | E♭ Major | 2 | 5B | 154 BPM | ||
| Broken | Tres Dei | B Major | 5 | 1B | 99 BPM | ||
| One Tree | Guy McGhee | G Major | 3 | 9B | 124 BPM | ||
| The Last Train Home | Cassio Alvarado | D Major | 2 | 10B | 116 BPM | ||
| I Choose You | Justin Reid | E♭ Major | 2 | 5B | 154 BPM | ||
| House Ain't A Home | Kam'ron Smith, Samantha Ray | A♭ Major | 3 | 4B | 142 BPM | ||
| Yours This Evening | Francesca Fowler | D♭ Major | 2 | 3B | 172 BPM | ||
| Am I Insane | Fuzzy Butt Bassel | E♭ Major | 2 | 5B | 154 BPM |