Rod MacDonald's '6 Strings & A Hole Big & Round' had a release date set for January 1, 1999. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Rod MacDonald's "Into the Blue - European Edition" album is number 7 out of 17. 6 Strings & A Hole Big & Round is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 6 Strings & A Hole Big & Round by Rod MacDonald to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tippy Toe Doe | Sassafrass | D Major | 3 | 10B | 78 BPM | ||
| The Cuckoo | Jacques Mees, Dylan Michels | E Major | 5 | 12B | 86 BPM | ||
| Warren and Whitney | Lynn Crossett | C Major | 5 | 8B | 185 BPM | ||
| Freedom Of Religion | Rod MacDonald | E Minor | 5 | 9A | 140 BPM | ||
| Tell Me Why You Love Me | Chris Smither | C Major | 5 | 8B | 108 BPM | ||
| Softness Remains | Matilde Guirish | E Major | 5 | 12B | 86 BPM | ||
| Tide And The River Rising (Oars) | Cindy Kallet | B♭ Major | 1 | 6B | 134 BPM | ||
| 26 Letters | Late Start Productions | A♭ Major | 2 | 4B | 82 BPM | ||
| The Night That John Prine Died | John McCutcheon | C Major | 2 | 8B | 73 BPM | ||
| We Remember You Well (Live) | Cyril Mac Phee, Archie Fisher | D Major | 8 | 10B | 116 BPM | ||
| Ghoost of Caledonia | Mandel Tom | F Minor | 4 | 4A | 105 BPM | ||
| Me Over Him | The John Byrne Band | C Minor | 3 | 5A | 153 BPM | ||
| Spirits of the Night | Charlie White | C Major | 3 | 8B | 90 BPM | ||
| Lay Down Your Weary Tune | Tim O'Brien | G Major | 2 | 9B | 69 BPM | ||
| A Love Gone Away | Duke Saturday | B Major | 6 | 1B | 111 BPM | ||
| You're Everything I Wanted Love to Be | Darrell Scott | E Major | 5 | 12B | 90 BPM | ||
| Until She Falls | The Shady Blues | E Major | 5 | 12B | 86 BPM | ||
| Ode to the Pretty Girls | Rod MacDonald | D Major | 4 | 10B | 121 BPM | ||
| Old photos | Malcolm Washington | F♯ Major | 2 | 2B | 199 BPM | ||
| Snowfall (feat. Jc Kuhl, Stuart Gunter, Charles Arthur & Stewart Meyers) | Tom Proutt, Emily Gary, Jc Kuhl, Stuart Gunter, Charles Arthur, Stewart Meyers | G Major | 3 | 9B | 161 BPM | ||
| St. Mary's Of Regret | Susan Werner | G Major | 3 | 9B | 161 BPM | ||
| I Can See Forever | MountainHouse | C Major | 2 | 8B | 123 BPM | ||
| Hughie's Lament | Shane Pendergast | C Major | 6 | 8B | 80 BPM | ||
| Waiting For The Storm | Richard Shindell | B Minor | 7 | 10A | 109 BPM | ||
| thoughts above the clouds | Stephen Pettymoore | D Major | 6 | 10B | 143 BPM |