Mohammed Rafi, Laxmikant–Pyarelal's ' "Doston Mein Koi Baat Chal Jati" was released on its scheduled release date, March 11, 1975. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 6 in the song's album "Prem Kahani". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. Based on our statistics, Doston Mein Koi Baat Chal Jati's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Doston Mein Koi Baat Chal Jati by Mohammed Rafi, Laxmikant–Pyarelal having a BPM of 152 with a half-time of 76 BPM and a double-time of 304 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Is Bhari Duniya Mein - Jhankar Beats | Hero And King Of Jhankar Studio, Mohammed Rafi | G Minor | 4 | 6A | 146 BPM | ||
| Saathi Re Gham Nahin Karna | Mohammed Rafi, Savita Suman | G Minor | 3 | 6A | 66 BPM | ||
| Dekh Chand Ki Or | Shamshad Begum, Sailesh | C Major | 5 | 8B | 78 BPM | ||
| Muhabbat Kar Lo Jee Bhar Lo | Geeta Dutt, Mohammed Rafi, Majrooh Sultanpuri | A Major | 4 | 11B | 104 BPM | ||
| Balkhati Sharmati Aaja | Mohammed Rafi, Sabita Banerjee, Salil Chowdhury | C Major | 4 | 8B | 83 BPM | ||
| Zindagi Ka Yun Zuban Par Naam | Asha Bhosle, Mohammed Rafi, Amit Kumar, Laxmikant–Pyarelal | A Major | 4 | 11B | 110 BPM | ||
| Aawargi Hamari | Talat Aziz | E Major | 5 | 12B | 105 BPM | ||
| Saudagar Sauda Kar | Manhar Udhas, Kavita Krishnamurthy, Sukhwinder Singh, Laxmikant–Pyarelal | A Major | 6 | 11B | 143 BPM | ||
| Commentry And Awaz De Kahan Hai | Noor Jehan, Surendra, Ameen Sayani, Naushad | E Major | 2 | 12B | 74 BPM | ||
| Deewaaron Ka Jungle - From "Deewaar" | Manna Dey, R. D. Burman | A Major | 6 | 11B | 110 BPM | ||
| Sabne Desh Ka Naam Liya | Mahendra Kapoor, Manhar Udhas, Hemlata, Laxmikant–Pyarelal | B Minor | 6 | 10A | 77 BPM | ||
| Sunoji Tum Bade Woh Ho | Suman Kalyanpur, Kishore Kumar, R. D. Burman | B Minor | 5 | 10A | 92 BPM | ||
| Jane Bhi De Sanam | Sharada | C Major | 3 | 8B | 104 BPM | ||
| Ek Raja Ek Rani | Mahendra Kapoor, Hemlata, Rekha Rao, Hussain Bloch | A♭ Major | 6 | 4B | 125 BPM | ||
| Teri Ankh Ke Ansoo Pee Jaoon | Talat Mahmood | A Minor | 3 | 8A | 91 BPM | ||
| Zulf Bikhrati Chali Aayee Ho | Mohammed Rafi | B Minor | 2 | 10A | 104 BPM | ||
| Dil Ne Chaha Hai Kya | Kavita Krishnamurthy | E♭ Major | 8 | 5B | 140 BPM | ||
| Raj Kapoor Speaks And Awara Hoon Film - Awaara | Mukesh, Raj Kapoor | F♯ Minor | 5 | 11A | 176 BPM | ||
| Main Is Masoom Chehre Ko | Suman Kalyanpur, Mohammed Rafi | A♭ Major | 4 | 4B | 100 BPM | ||
| Aadhi Raat Ko Koi | Dilraj Kaur, Jaspal Singh | B Minor | 3 | 10A | 172 BPM | ||
| Dekho Mera Dil Machal Gaya | Sharada, Shailendra | A Major | 7 | 11B | 130 BPM | ||
| Meri Munni Rani So Ja | K. J. Yesudas | C Minor | 3 | 5A | 144 BPM | ||
| Tel Malish Boot Polish | Mukesh | A♭ Major | 3 | 4B | 76 BPM | ||
| Kar Gaya Kanha Milan Ka Vada | Aarti Mukherji | B♭ Minor | 5 | 3A | 79 BPM | ||
| Lambi Judaai | Reshma, Laxmikant–Pyarelal | B Major | 5 | 1B | 136 BPM |