"Musique pour Cendrars" by Henri Sauguet, Interprètes Divers had its release date on November 30, 2001. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in "Enregistrements Inédits", so we believe that "Musique pour Cendrars" is a single. In terms of popularity, Musique pour Cendrars is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Musique pour Cendrars by Henri Sauguet, Interprètes Divers is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Violin Concerto No. 2, Op. 89a: II. Aria | Alan Hovhaness, Zina Schiff, Salzburg Chamber Soloists, Avlana Eisenberg | F Major | 2 | 7B | 85 BPM | ||
| Granados: Escenas románticas: No. 6, Epílogo | Enrique Granados, Daniel Ligorio | E♭ Major | 0 | 5B | 108 BPM | ||
| Serenade for Strings in C Major, Op. 48: II. Valse. Moderato, tempo di Valse | Pyotr Ilyich Tchaikovsky, Dennis Russell Davies, Stuttgart Chamber Orchestra | C Major | 0 | 8B | 138 BPM | ||
| 3 Romances, Op. 11: No. 3, Moderato | Clara Schumann, Isata Kanneh-Mason | A♭ Major | 0 | 4B | 73 BPM | ||
| Peruvian Triste - Duo-Art 6323 | Carlos Valderrama, Peter Phillips | C Major | 0 | 8B | 138 BPM | ||
| Debussy: Petite Suite ~ En Bateau | Anthony & Joseph Paratore | G Major | 0 | 9B | 67 BPM | ||
| Heut triumphieret Gottes Sohn, BWV 630 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Nocturne No. 8 in A Major, H. 46 | John Field, Michael Collins, Michael McHale | E Minor | 0 | 9A | 72 BPM | ||
| Sinfonia Concertante, Op. 125: I. Andante | Sergei Prokofiev, The Pilsen Philharmonic Orchestra, Chuhei Iwasaki, Michał Balas | C Major | 0 | 8B | 138 BPM | ||
| String Quartet in F Major, Hob.III:17: II. Andante Cantabile | Roman Hoffstetter, Quatuor Modigliani | C Major | 0 | 8B | 77 BPM | ||
| Soirées musicales, Op. 6: No. 2, Nocturne | Clara Schumann, Mika Sasaki | F Major | 0 | 7B | 71 BPM | ||
| Fantaisie sur des motifs de l'opéra "Guillaume Tell" de Rossini (Arr. for 3 Cellos): III. Moderato - Allegro | Alexandre Batta, Gioachino Rossini, Sol Gabetta, Victor Julien-Laferrière, Luca Magariello | D Major | 5 | 10B | 76 BPM | ||
| Arpeggione Sonata in A Minor, D. 821: II. Adagio (Transcr. Ottensamer for Clarinet and Piano) | Franz Schubert, Andreas Ottensamer, José Gallardo | F♯ Major | 0 | 2B | 69 BPM | ||
| Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | C Major | 0 | 8B | 138 BPM | ||
| Henri Sauguet – Non morietur in aeternum | Chopin University Press, Tomasz Woźniak, Bartosz Jakubczak, Henri Sauguet | D♭ Major | 1 | 3B | 69 BPM | ||
| Painting III: Claude | Aurelio Scotto | F♯ Major | 2 | 2B | 119 BPM | ||
| Var. 6, Adagio | Pyotr Ilyich Tchaikovsky, Li-wei Qin, Czech Philharmonic Chamber Orchestra, Michael Halasz | D Minor | 0 | 7A | 80 BPM | ||
| Symphony in B-Flat Major, Hob. I:102: IV. Finale. Presto | Joseph Haydn, Ádám Fischer, Österreichisch-Ungarische Haydn Philharmonie | C Major | 0 | 8B | 138 BPM | ||
| 6 Morceaux: No. 3, Berceuse | Pauline Viardot, Rachel Barton Pine, Matthew Hagle | G Minor | 1 | 6A | 128 BPM | ||
| L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Jesús López-Cobos, Cincinnati Symphony Orchestra | F Major | 1 | 7B | 60 BPM | ||
| Quartet in G Minor, FWV N:g2: III. Largo | Johann Friedrich Fasch, Ensemble Marsyas, Peter Whelan | D♭ Minor | 3 | 12A | 102 BPM | ||
| 6 Romances, Op. 4: No. 4, Do Not Sing, My Beauty (Arr. for Cello & Piano by Meredith Blecha-Wells & Sun Min Kim) | Sergei Rachmaninoff, Meredith Blecha-Wells, Sun Min Kim | D Minor | 2 | 7A | 73 BPM | ||
| 5 Lieder, Op. 105 (Excerpts Arr. K.H. Schütz for Flute & Piano): No. 1, Wie Melodien zieht es mir | Johannes Brahms, Karl-Heinz Schütz, Maria Prinz | F Major | 1 | 7B | 72 BPM | ||
| Violin Sonata No. 2 in G Major, Op. 13: II. Allegretto tranquillo | Edvard Grieg, Frederic Chiu, Pierre Amoyal | D Minor | 2 | 7A | 148 BPM | ||
| Sauguet: Tableaux de Paris: VII. Lunch au Ritz | Henri Sauguet, Michel Plasson, Orchestre Du Capitole De Toulouse | C Major | 3 | 8B | 82 BPM |