"Das Lied der Trennung, K. 519" by Raphaël Imbert had its release date on February 25, 2013. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Raphaël Imbert's "Heavens (Amadeus & The Duke) [Bonus Track Version]" album is number 4 out of 19. On top of that, France appears to be the country where this track was created. In terms of popularity, Das Lied der Trennung, K. 519 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Das Lied der Trennung, K. 519 by Raphaël Imbert to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sylvains d'orient | Renaud Garcia-Fons, Claire Antonini | A Minor | 5 | 8A | 137 BPM | ||
| Crazy world | Ensemble Contraste, Isabelle Georges, Raphaël Imbert, Johan Farjot | E♭ Major | 1 | 5B | 92 BPM | ||
| On the Endless Road | Yom, Aurelien Naffrichoux | D Minor | 2 | 7A | 121 BPM | ||
| La nuit | Anouar Brahem, Dave Holland, Jack DeJohnette, Django Bates | C Minor | 1 | 5A | 78 BPM | ||
| Silicon Trees | Eric Vloeimans, Jörg Brinkmann | A Minor | 0 | 8A | 115 BPM | ||
| Purcell / Arr. Pluhar: Dido and Aeneas, Z. 626, Act III: Song. "When I Am Laid in Earth" | Henry Purcell, Christina Pluhar, L'Arpeggiata, Raquel Andueza | F Minor | 0 | 4A | 102 BPM | ||
| The Source and the Sea (Balada Al Maayan Ve`Yam) | Avi Avital, Omer Avital | D Minor | 1 | 7A | 122 BPM | ||
| Entre chien et loup | Henri Texier, Aldo Romano, Louis Sclavis | B♭ Minor | 3 | 3A | 106 BPM | ||
| Roma | Michel Godard, Steve Swallow | A♭ Major | 1 | 4B | 76 BPM | ||
| The Death Of A Blackbird | Sarah McCoy | G Minor | 1 | 6A | 80 BPM | ||
| Brasero des soucis | Hadouk Trio | D♭ Major | 4 | 3B | 118 BPM | ||
| Come With Me | Myriam Alter | D♭ Major | 3 | 3B | 83 BPM | ||
| Le combat des cerfs | Edouard Ferlet, Alain Grange, Joël Grare | C Major | 2 | 8B | 114 BPM | ||
| Al Leil | Naïssam Jalal, Hamid Drake | C Minor | 1 | 5A | 63 BPM | ||
| La Suite | Lara Rosseel | A Minor | 0 | 8A | 116 BPM | ||
| The Walk | André Manoukian | D Major | 1 | 10B | 91 BPM | ||
| Le voyage de sahar | Anouar Brahem | C Major | 0 | 8B | 117 BPM | ||
| Improvisation - Hommage à John Coltrane | Raphaël Imbert, Johan Farjot, Daniel Humair | F♯ Minor | 6 | 11A | 140 BPM | ||
| Ta confiance | Kham Meslien | A Minor | 7 | 8A | 63 BPM | ||
| Don't Buy Ivory, Anymore ! | Henri Texier | C Major | 3 | 8B | 99 BPM | ||
| Where You Belong | Myriam Alter | F Minor | 2 | 4A | 183 BPM | ||
| Milonga en re | Gidon Kremer | D Minor | 1 | 7A | 91 BPM | ||
| Inner Smile | Aldo Romano | G Major | 2 | 9B | 83 BPM | ||
| All To Myself Alone | Raphaël Imbert, Johan Farjot, Hugh Coltman | C Minor | 3 | 5A | 97 BPM | ||
| If | Myriam Alter | B♭ Major | 2 | 6B | 81 BPM |