Giuseppe Di Stefano's ' "Finiculi, Finicula" was released on its scheduled release date, January 9, 1951. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Finiculi, Finicula's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 59 in Canzone dell'amore by Giuseppe Di Stefano. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Finiculi, Finicula's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Finiculi, Finicula by Giuseppe Di Stefano is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rossini: Il barbiere di Siviglia, Act 1: Cavatina. "Largo al factotum" (Figaro) | Gioachino Rossini, James Levine, London Symphony Orchestra | C Major | 4 | 8B | 75 BPM | ||
| Scapricciatiello | Aurelio Fierro | F♯ Major | 4 | 2B | 91 BPM | ||
| Quant' E' Bella Napule | Peter Ciani | D Major | 5 | 10B | 120 BPM | ||
| La Traviata / Act 1: Libiamo ne'lieti calici | Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | B♭ Major | 2 | 6B | 113 BPM | ||
| 'La Tarántula', De La Tempranica | Victoria de los Ángeles | C Major | 3 | 8B | 75 BPM | ||
| Torna a Surriento | Ernesto de Curtis, Juan Diego Flórez, Filarmonica Gioachino Rossini, Carlo Tenan | E Major | 2 | 12B | 91 BPM | ||
| Nabucco: va pensiero | Franck Pourcel | F♯ Major | 3 | 2B | 145 BPM | ||
| Extrait "Casta Diva" | Maria Callas, Tullio Serafin, Choeur et orchestre du Théâtre de la Scala de Milan | F Major | 1 | 7B | 87 BPM | ||
| O sole mio | Beniamino Gigli | A♭ Minor | 2 | 1A | 73 BPM | ||
| Chorus Of The Hebrew Slaves (Nabucco) | Choir and Orchestra of the Budapest State Opera, Josif Conta, Consortium Musicum Ljubjlana | D♭ Major | 0 | 3B | 142 BPM | ||
| Il tango delle capinere | Leo Nucci, Salotto Ottocento Ensemble | D Major | 4 | 10B | 82 BPM | ||
| Que serà, serà | Gloria Christian | G Major | 1 | 9B | 91 BPM | ||
| La campana Di San Giusto | Artisti per l'Italia Band | D♭ Major | 5 | 3B | 113 BPM | ||
| Gianni Schicchi, Act I: "O mio babbino caro" | Giacomo Puccini, Tivolis Promenadeorkester, Bjørn Hyrup, Louise Fribo | A♭ Major | 3 | 4B | 108 BPM | ||
| The Pirates of Penzance: I am the very model of a modern Major-General | Arthur Sullivan, John Reed, The D'Oyly Carte Opera Chorus, The D'Oyly Carte Opera Company, Royal Philharmonic Orchestra, Isidore Godfrey | E♭ Major | 4 | 5B | 104 BPM | ||
| Marechiare | Francesco Paolo Tosti, Luciano Pavarotti, National Philharmonic Orchestra, Giancarlo Chiaramello | C Major | 2 | 8B | 132 BPM | ||
| Maruzzella | Giacomo Rondinella | C Minor | 2 | 5A | 70 BPM | ||
| O surdato nammurato | Artisti Italiani | F♯ Major | 5 | 2B | 125 BPM | ||
| L'ambasciatore | Cugini di Montagna | B♭ Major | 9 | 6B | 0 BPM | ||
| Bella Italia | Bruno Bertoli | G Minor | 3 | 6A | 162 BPM | ||
| Quel mazzolin di fiori | I Girasoli | F Major | 7 | 7B | 118 BPM | ||
| Funiculì Funiculà | Orchestra Italiana Napoletana | F Major | 8 | 7B | 143 BPM | ||
| Bellini: I Puritani, Act 3: "Ch'ei provò lontan da me?" (Elvira, Arturo) | Vincenzo Bellini, Maria Callas, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | E Major | 2 | 12B | 70 BPM | ||
| Le barbier de Séville, Acte I: Largo al factotum della cita | The Red Army Choir | C Major | 6 | 8B | 138 BPM | ||
| Mascagni: Cavalleria rusticana: "O Lola ch'hai di latti la cammisa" (Turiddu) | Pietro Mascagni, Tullio Serafin, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano | A♭ Major | 3 | 4B | 82 BPM |