Jorge Valdez's ' "En Esta Tarde Gris" was released on its scheduled release date, December 6, 1967. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. En Esta Tarde Gris's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 12 in Canciones de Mi Ciudad by Jorge Valdez. Going off of the ISRC code of this track, we detected that the origin of this track is from Argentina. Based on our statistics, En Esta Tarde Gris's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of En Esta Tarde Gris by Jorge Valdez is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hasta Siempre Amor | Orquesta Carlos di Sarli, Horacio Casares | D Minor | 4 | 7A | 61 BPM | ||
| Patio Porteño | Héctor Varela y su Orquesta Típica | F Minor | 2 | 4A | 103 BPM | ||
| Olvido | Charlo | G Major | 2 | 9B | 84 BPM | ||
| Esta noche de luna | Orquesta Carlos di Sarli, Roberto Rufino | C Major | 3 | 8B | 129 BPM | ||
| Farolito Viejo | Héctor Varela y su Orquesta Típica, Armando Laborde | C Major | 2 | 8B | 117 BPM | ||
| Te Estaba Esperando | Osvaldo Pugliese y su Orquesta | F♯ Major | 2 | 2B | 83 BPM | ||
| Corazon no le digas a nadie | Enrique Munne, Horacio Quintana, Orquesta Lucio Demare | A Minor | 2 | 8A | 119 BPM | ||
| Pensando en ti | Pepe Aguirre | F♯ Major | 3 | 2B | 112 BPM | ||
| Reliquias porteñas 2 - Remastered | Francisco Canaro Y Su Orquesta Tipica | F♯ Minor | 4 | 11A | 106 BPM | ||
| Suerte Loca | Orquesta De Juan Darienzo, Jorge Valdez, Armando Laborde | E♭ Major | 5 | 5B | 127 BPM | ||
| Incomprensión | Orquesta Típica Francisco Canaro, Guillermo Rico | F♯ Major | 3 | 2B | 133 BPM | ||
| Mano Brava | Hyperion Ensemble, Ruben Peloni | C Major | 6 | 8B | 112 BPM | ||
| Asi se canta | Ricardo Tanturi y Enrique Campos | F Minor | 4 | 4A | 123 BPM | ||
| Mi Noche Triste | Alfredo de Angelis Y Su Orquesta Tipica, Juan Carlos Godoy | D Minor | 4 | 7A | 115 BPM | ||
| Inolvidable | Jorge Falcón | G Major | 3 | 9B | 117 BPM | ||
| Milonga De Corralon | Rubén Juárez | D♭ Major | 3 | 3B | 97 BPM | ||
| Percal | Jorge Valdez | A Major | 5 | 11B | 140 BPM | ||
| Aqui Me Pongo A Cantar | Francisco Lomuto y su Orquesta Típica | F Major | 4 | 7B | 116 BPM | ||
| La Mulateada | Pablo Valle Sexteto | E♭ Major | 3 | 5B | 105 BPM | ||
| Sonata | Agustin Magaldi | F♯ Major | 8 | 2B | 118 BPM | ||
| La Madrugada | La Auténtica Milonguera | A Minor | 3 | 8A | 121 BPM | ||
| Corazón No Le Digas a Nadie | Lucio Demare, Horacio Quintana | F♯ Minor | 2 | 11A | 121 BPM | ||
| Yuyo Brujo | Juan D'Arienzo and his Orchestra, Armando Laborde | C Minor | 5 | 5A | 130 BPM | ||
| Olga | Los Reyes Del Tango | F♯ Minor | 4 | 11A | 106 BPM | ||
| Luna de arrabal - Estilo Ricardo Tanturi | SEXTETO VISCERAL | E Major | 4 | 12B | 98 BPM |