"David Popper: Requiem, Op. 66" by David Popper, Raïff Dantas Barreto, Mauro Brucoli, Moisés Ferreira, Talita Gondim had its release date on May 27, 2022. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Various Artists's "In Focus - Classical Music" album is number 12 out of 24. On top of that, Brazil appears to be the country where this track was created. In terms of popularity, David Popper: Requiem, Op. 66 is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of David Popper: Requiem, Op. 66 by David Popper, Raïff Dantas Barreto, Mauro Brucoli, Moisés Ferreira, Talita Gondim to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM | ||
| 6 Sonatas for Violin Solo, Op. 27 / Sonata No. 1 in G Minor: III. Allegretto poco scherzoso | Eugène Ysaÿe, Hilary Hahn | B♭ Major | 1 | 6B | 60 BPM | ||
| Cello Concerto No. 1 in G Minor, Op. 49: I. Allegro | Dmitry Kabalevsky, Torleif Thedéen, NDR Radiophilharmonie, Eiji Oue | C Major | 1 | 8B | 139 BPM | ||
| Hungarian Rhapsody, Op. 68 | David Popper, Nana Ou-Yang, 江天霖 | D Major | 1 | 10B | 76 BPM | ||
| Violin Sonata in D Minor, Op. 5, No. 12, "La folia" (Arr. S. Suzuki) | Arcangelo Corelli, Takako Nishizaki, Terence Dennis | C Minor | 2 | 5A | 147 BPM | ||
| Souvenir d'un lieu cher, Op. 42: III. Melodie (Arr. A.K. Glazunov for violin and orchestra) | Pyotr Ilyich Tchaikovsky, Ilya Kaler, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 115 BPM | ||
| Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Minor | 0 | 6A | 66 BPM | ||
| Etude No. 22 in G Major | David Popper, Vito Paternoster | G Major | 1 | 9B | 93 BPM | ||
| La Cinquantaine - Arranged for Cello and Harp by Miriam Keogh | Gabriel-Marie, None, Sebastian Comberti, Miriam Keogh | A Major | 1 | 11B | 90 BPM | ||
| Cello Concerto in E Minor, RV 409: III. Allegro | Jiaxin Lloyd Webber, Julian Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann | G Minor | 1 | 6A | 108 BPM | ||
| Gypsy Airs for Violin and Orchestra, Op. 20 | Pablo de Sarasate, Dresdner Philharmonie, Heinz Bongartz, Ion Voicu | C Minor | 2 | 5A | 80 BPM | ||
| The Last Rose of Summer, "Polyphonic Study No. 6": Introduction. Moderato - Tema. Andante non troppo - Variations I, II, III, IV - Finale | Heinrich Wilhelm Ernst, Ning Feng | G Major | 1 | 9B | 115 BPM | ||
| The Dance of the Goblins. Op. 25 | Antonio Bazzini, Sarah Chang, Charles Abramovic | G Major | 3 | 9B | 93 BPM | ||
| Paganini Caprice no. 5 | Neil Black | B♭ Minor | 5 | 3A | 84 BPM | ||
| Elegy No. 3, "Romanza Patetica" | Giovanni Bottesini, Andrew Burashko, Joel Quarrington | A Major | 0 | 11B | 71 BPM | ||
| Suite for 2 Cellos, Op. 16: II. Gavotte | David Popper, Alexander Hülshoff, Martin Rummel | E♭ Major | 2 | 5B | 120 BPM | ||
| Cello Concerto No. 1 in A Minor, Op. 33: II. Allegretto con moto | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | B♭ Major | 0 | 6B | 109 BPM | ||
| Sicilienne, Op. 78 | Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | G Minor | 1 | 6A | 123 BPM | ||
| Passacaglia in G Minor (after G.F. Handel's Keyboard Suite No. 7 in G Minor, HWV 432: VI. Passacaille) (arr. for violin and cello) | Anonymous, Johan Halvorsen, Julia Fischer, Daniel Müller-Schott | G Minor | 1 | 6A | 59 BPM | ||
| 12 Scenes or Caprices, Op. 109: No. 7, Le Caprice | Charles-Auguste de Bériot, Bella Hristova | A Minor | 2 | 8A | 83 BPM | ||
| Paganini: 24 Caprices, Op. 1: No. 7 in A Minor | Niccolò Paganini, Itzhak Perlman | A Minor | 2 | 8A | 51 BPM | ||
| Cantabile, MS 109/Op. 17 (Arr. for Cello and Guitar) | Niccolò Paganini, Jan Vogler | D Major | 3 | 10B | 124 BPM | ||
| Concerto Grosso In D Minor, Op. 3, No. 11, Rv 565: I. Allegro | Antonio Vivaldi, Capella Istropolitana | D Minor | 3 | 7A | 126 BPM | ||
| Hohe Schule des Violoncello-Spiels (High School of Cello Playing), Op. 73: Etude No. 5 in A Major | David Popper, Dmitry Yablonsky | D Major | 0 | 10B | 201 BPM | ||
| 6 Sonatas for Violin Solo, Op. 27 / Sonata No. 1 in G Minor: I. Grave | Eugène Ysaÿe, Hilary Hahn | D Major | 2 | 10B | 85 BPM |